Truth Corroded serve up over 40 minutes worth of extreme metal on Bloodlands. The band’s style mixes skull-cracking brutality with razor-sharp thrash metal. This is music to simultaneously get smashed up and lacerated by. Continue reading
War and slaughter, that’s what Vomitile offer us on Pure Eternal Hate. The album title and cover adequately portray Vomitile’s brand of punishing death metal, and they give us 37 minutes of material to become battered and bruised by. Continue reading
This is the kind of death metal album that just steamrolls all over you as soon as you press play. It’s a relentlessly savage monster throughout the playing time, showing no let up in its bloody commitment to knock you over and flatten you to a mushy corpse. Continue reading
War metal. What is it good for?
Absolutely nothing. (Say it again).
Yes, that’s the level of my humour today I’m afraid… Continue reading
Fractured Insanity play brutal death metal that’s intense and well-written. Although this is predominantly on the brutal end of the spectrum, there’s also elements of technicality at play here, which just adds further depth to the music.
Gruesome are a supergroup of sorts, made up of members who have a large amount of extreme metal experience and count many different bands as their current and ex-projects, including Exhumed, Possessed and Malevolent Creation.
The band have a tight and precise approach to their music, with everything sounding balanced and where it should be.
These songs have faster sections as well as slower, groovier ones. There are some good riffs on these tracks and they’re arranged well, showing that the band have a grasp of songwriting rather than just stringing bits together.
Modern Death Metal meets an older style, settling for something that’s closer to the latter, but with a nod to the former. Dark melodies are sometimes used to improve the tracks and the band show that they are not interested in recreating just one style of Death Metal. The songs are relatively diverse, with quite a few different ideas and themes being explored throughout, all within the Death Metal framework, of course.
The vocals are mainly deep growls, although screams and other vocal effects are used to add a bit of variation.
I enjoyed this and look forward to what they might do next.
Favourite Track: Megabong.
This is a supergroup of sorts, featuring members of Exhumed, Possessed, Malevolent Creation and Derketa. Gruesome exist purely to pay homage to Old-School Floridian Death Metal, with specific reference to the early work of Death.
It’s clear from the very start that they have everything in place to achieve this.
The sound is an authentic Morrisound one, only polished up a bit and without actually being recorded there.
The music is straight out of the Old-School Death handbook, complete with galloping drums, sharp riffs and leads/solos aplenty.
Savage Land excels in the songs though; without good songs this album would fall flat as being rather pointless. Thankfully though, listening to all of those Death Metal albums from an early age has done wonders for the band and this is a really enjoyable album that almost seems to reanimate the corpse of Death, if only for a little while.
In fact the spirit of Death is felt strongly throughout these 36 minutes. It seems to be lurking wherever you look, the riffs, the drums, the solos, the vocals, the choruses, everything really; deeply infused into the songs.
In another band this might be seen as a bad thing, but in Gruesome it’s so honest, so pure, so well-realised that Savage Land just comes off as a triumph.
Turn the volume up and give this a listen. If you’ve ever been a fan of early Death then I defy you not to enjoy this.
This is sharp and tight Death Metal that features a modern style and sound, but not overly so.
The songs feature lots of chug and groove alongside the faster sections. This is a band that has plenty of crunch and knows what to do with it.
Think of a cross between Decapitated and Malevolent Creation with a touch of Cannibal Corpse, Hate Eternal and even Behemoth; this is the Garroter sound, and it sounds pretty good.
The band has a slick, professional production that serves them well. Everything has bite and you can even hear the bass, which is always nice. The band can obviously play and there’s a good amount of technical wizardry on display.
Each song is a muscular collection of riffs that are shredded together into a coherent structure and then handed over to an inhuman monster to growl and roar over.
Their music is very precise, with a fair few objects of interest, atypical ideas and areas of mechanical playfulness strewn throughout these 11 tracks.
If you enjoy your Death Metal rhythmically mechanical like a well-oiled killing machine yet still full of infernal life, then Garroter fit the bill. They’ve created a crunchy, catchy album full of Death Metal devastation.
Listen at full volume.
This is Technical Death Metal with plenty of brutality. They may have the required complexity of a band playing this style but they’re not above just lashing out and shredding either.
A good sound means that everything is clear and you can appreciate the tightness of the band. The musicianship is a pleasure to listen to, especially when it’s wrapped up in such a destructive Death Metal package.
The singer has an expressive roar that reminds me of a mix of the singers of Malevolent Creation and Vader. He provides a charismatic focal point for the glistening, polished music.
Complicated riffs seem to lurk just behind the omnipresent drums, winding and striking with impunity. This might not be music that you can easily hum along to but it gets inside your skull regardless. Who knows what damage it’s doing in there?
Even when they take their collective feet off the accelerator they still write interesting riffs that refuse to sit still.
If you yearn for the kind of Technical Death Metal that the likes of Iniquity used to churn out then Ara will be right up your street.