It was 2014 when we saw the release of the first-rate Back from the Abyss. It seems like it’s been a long time since then, (and it has, I suppose), but now I’m very pleased to say that Orange Goblin are back with one of their strongest and most diverse albums to date. Continue reading
This is raging thrashcore, taking thrash metal, hardcore, grindcore, and punk elements into consideration as it spends 24 minutes doing a bucketload of damage. Continue reading
This is some heady old-school stuff. Mixing thrash, speed, heavy, and first-wave black metal influences into its delivery, this album is designed to get you headbanging. Continue reading
Complete and Total Fucking Mayhem is a compilation of all of the Hellripper work so far. This includes The Manifestation of Evil, a split with Batsheva, a three-way split with Acid Cross and Kreigg, and finally a split with Fetid Zombie called Prophecies of Ruin. All tracks have been remastered for this release. Continue reading
If you’re anything like me, when you think of one-man Black Metal bands you tend to think of the longer, darker end of the Black Metal spectrum; crazed loners creating malevolent art that sprawls aeons of textured oblivion.
What you probably don’t think of is raw, underground, Speed Metal infused Black Metal. This entire EP is shorter than the average one-man Black Metal project’s song length.
This is ugly and primitive but not without character. The riffs have attitude and it’s like a Blackened Motörhead mixed with Impaled Nazarene or Audiopain and a sprinkling of early Kreator.
The songs are good, much better than you might think. The more I listen to it the more I think of a Blackened version of Kreator, when they first started off and were all spikes and attitude. Hellripper are cut from the same bloody cloth.
Short, loose and surprisingly catchy, Hellripper have produced an enjoyable ride through the worst part of town.
This is ugly Death Metal from back alleys and drunken brawls. Ultra-primitive, belligerent Metal that combines the raw underbelly of Punk and Crust into a Crossover whole that melds Thrash to a primordial Death Metal.
The songs are short and violent, but that doesn’t mean the band are without talent; not just anyone can get away with playing this style of music and not have it come off as an uninteresting mess. Zoldier Noiz make up for what they lack in sophistication with raw passion and will.
A speed punk feeling underlies these songs with the band sometimes seemingly rushing to finish as soon as they’ve started. It makes for an energetic listen.
A functional-but-that’s-about-it recording emphasizes the barbaric nature of the band and unintelligibly grunted pseudo-vocals are barked like challenges to all and sundry.
If a band like Motorhead released a primitive Death Metal album, they it would probably sound a lot like Zoldier Noiz.