Isole are a Swedish doom metal band and this is their eighth album.
The 46 minutes of music on Anesidora is a feast of traditional doom metal, with mournful atmosphere and foreboding presence. Continue reading “Isole – Anesidora (Review)”
Isole are a Swedish doom metal band and this is their eighth album.
The 46 minutes of music on Anesidora is a feast of traditional doom metal, with mournful atmosphere and foreboding presence. Continue reading “Isole – Anesidora (Review)”
This is the second album from UK doom band Famyne.
II: The Ground Below offers a modern take on the traditional doom metal sound. Across 45 minutes Famyne incorporate a few elements from other subgenres into their sound, complementing their core style well. Continue reading “Famyne – II: The Ground Below (Review)”
This is the second album from French doom metal band Deathbell.
Deathbell present us with 42 minutes of doom that’s based on the traditional style, but shot through with occult psychedelia and haunting atmosphere. The music is heavy and immersive, drawing you in with fuzzy riffs and keeping you close with hazy melodies and seductive singing. The band’s doom is very moreish and slips easily into the soul. Continue reading “Deathbell – A Nocturnal Crossing (Review)”
Khemmis are a doom metal band from the US and this is their fourth album.
Khemmis are a great band, it’s as simple as that. Across three very well-received albums, (Absolution, Hunted, and Desolation), they have established themselves as modern doom metal heavyweights extraordinaire. On Deceiver Khemmis have continued their trend of high quality releases, and it’s one not be missed. Continue reading “Khemmis – Deceiver (Review)”
Wasteland Coven and Nothing Is Real are both doom metal bands from the US, and they have teamed up for this split.
We’ve met Wasteland Coven previously on their very good debut EP Ruined. On this split they offer up three new tracks lasting 19 minutes. Continue reading “Wasteland Coven/Nothing Is Real – Turmoil – Split (Review)”
This is the third album from Australian doom metallers Lucifer’s Fall.
I’m a sucker for Lucifer’s Fall. Whatever they do seems like filthy doom gold as far as I’m concerned. If you haven’t already, make sure you also check out their past releases, (Lucifer’s Fall, Fuck You We’re Lucifer’s Fall, II – Cursed & Damned, Tales from the Crypt), as every single one of them is worth it. Continue reading “Lucifer’s Fall – III – From the Deep (Review)”
This is the debut album from Finnish doom metal band Fimir.
Fimir play traditional doom metal with a modern edge and a somewhat cosmic feel in places. Continue reading “Fimir – Tomb of God (Review)”
This is the debut album from US doom metallers Grief Collector.
Featuring Robert Lowe, (an ex-member of Candlemass), on vocals, En Delirium contains 48 minutes of largely traditional doom metal mixed with a touch of modern sludge, to produce a compelling piece of work. Continue reading “Grief Collector – En Delirium (Review)”
Thronehammer are an international doom metal band and this is their second album.
This is a big album full of big songs. Across 75 minutes the band indulge their love for true doom metal, played with crushing heaviness and epic intensity. Featuring current and ex-members of bands such as Obelyskkh, Lucifer’s Chalice, Uncoffined, Winds of Genocide, and Continue reading “Thronehammer – Incantation Rites (Review)”
Carcolh are a French doom metal band and this is their second album.
Carcolh’s approach to traditional doom metal is one that’s downbeat, heavy, and rich in feeling. The band hover somewhere between the old-school and the new, making the most of each of them to produce something that’s not entirely either, so should appeal to fans of both. Continue reading “Carcolh – The Life and Works of Death (Review)”