Featuring the singer of Swallow the Sun, Kuusumu contains 47 minutes of polished, professional material. For a starting reference point think of a band like Paradise Lost, and then add in elements of acts such as My Dying Bride, Sentenced, Barren Earth, Amorphis, and Orphaned Land; this will give you a rough idea of where Kuolemanlaakso’s talents lie. Continue reading “Kuolemanlaakso – Kuusumu (Review)”
None but a Pure Heart Can Sing is only 32 minutes in length, but this duration comes with more ideas than many releases double the length. The album is a loose mix of styles and genres, taking an experimental and avant-garde approach to music that finds them combining pretty much all of the post- styles, (metal, rock, hardcore, and black metal), with a diverse non-metal array of genres such as jazz and classical. Continue reading “So Hideous – None but a Pure Heart Can Sing (Review)”
Akhenaten play a hybrid style of black and death metal that’s been spiced up with Middle Eastern folk influences. The music brings to mind a cross between aspects of bands such as Nile, Melechesh, Arallu, Orphaned Land, Rudra, Septic Flesh, and the like. In other words, bands that use their extreme metal for more than simple brutality. Continue reading “Akhenaten – The Emerald Tablets of Thoth (Review)”
Symphonic death metal shouldn’t work, and mostly doesn’t. Elegy is different, however.
Orphaned Land play music that’s inspired and influenced by Middle Eastern melodies and ideas. These elements are skilfully woven into the band’s progressive metal in natural, effortless ways, resulting in characterful and Continue reading “Orphaned Land – Unsung Prophets & Dead Messiahs (Review)”
Impureza play death metal mixed with Iberian musical influences. This means we get acoustic and flamenco guitars, folk melodies, and Spanish lyrics, all combined with a brutal/technical death metal core. Also featuring some additional guests Continue reading “Impureza – La Caída de Tonatiuh (Review)”
This is quite a varied release that essentially boils down to about 40 minutes of epic extreme metal.
The music takes Continue reading “Divine Element – Thaurachs of Borsu (Review)”
First impression – the album art is amazing.
Featuring members of Demonstealer and Albatross, Demonic Resurrection play epic blackened death metal with flair and style, influenced by Hindu mythology in both theme and sound. Continue reading “Demonic Resurrection – Dashavatar (Review)”
Despite being around for a very long time at this point, and despite having first heard of them an almost equally long time ago, this is my first actual encounter with Rudra and their so-called Vedic metal. Continue reading “Rudra – Enemy of Duality (Review)”
Shokran play modern groove metal with a hearty djent influence, as well as having neo-classical, progressive, technical and Egyptian-themed aspects to their sound. They have a lot going on across these 35 minutes, and it’s all Continue reading “Shokran – Exodus (Review)”