This is the fourth album from Falls of Rauros, a black metal band from the US.
Falls of Rauros are a band that I know can always be relied upon to deliver. Across their various releases they have produced a wealth of atmospheric and engaging folk-influenced black metal that has never failed to impress and satisfy me. The same can be said of Vigilance Perennial in this regard too. Continue reading “Falls of Rauros – Vigilance Perennial (Review)”
Fen are a UK progressive black metal band and this is their fifth album.
Fen combine atmospheric, progressive and post-black metal into their beguiling music. Taking the appropriate elements of each and using them to suit their own purposes, the music on Winter is expansive and full of dark vision. Continue reading “Fen – Winter (Review)”
Ennoven is a one-man atmospheric black metal project from Poland. This is his debut album.
Redemption is just under 35 minutes of atmospheric black metal with post-metal and progressive influences included in its misty embrace. Continue reading “Ennoven – Redemption (Review)”
This is the fourth album from US black metal band Black Anvil.
2014’s Hail Death was a firm favourite of mine. They’ve now produced the follow up to this, and it’s great to have them back.
Black Anvil play black metal that combines elements of thrash metal with a more epic, expansive side. Continue reading “Black Anvil – As Was (Review)”
Bearstorm are a progressive black metal band from the US and this is their latest EP.
Bearstorm play progressive black metal, but if you haven’t heard them before I can all but guarantee that they don’t sound as you’d expect them to.
Their previous album Americanus was an unusual record. A very good one, but a very individual one that was probably too much of an acquired taste for most. A shame, but their loss, (whoever they are), is our gain. Continue reading “Bearstorm – Biophobia (Review)”
Hyrye play atmospheric black metal and come from the UK. This is their debut album.
Featuring harsh black metal that’s born out of the early atmospheric style, it also has some progressive and folk influences that it welcomes into its wind-swept embrace.
Over 66 minutes the band paint dark pictures through extremity Continue reading “Hryre – From Mortality to Infinity (Review)”
This is the fourth album from this one-man US black metal band.
Over the years Mare Cognitum’s output has proven to be of exceptionally high quality, with 2014’s Phobos Monolith being a particular highlight.
Luminiferous Aether provides us with more of the progressively-edged atmospheric black metal that we’ve come to know and love from the outfit, all lavishly arranged, produced and delivered across over 50 minutes of Continue reading “Mare Cognitum – Luminiferous Aether (Review)”
This is the debut release from Somnium Nox, a black metal band from Australia.
Somnium Nox are harbingers of esoteric progressive/atmospheric black metal that plays out over one 16 minute track, revealing an expansive tapestry of music that explores the underground world of black metal with aplomb. Continue reading “Somnium Nox – Apocrypha (Review)”
Vow of Thorns are a post-black metal band from Canada, and this is their début album.
This is post-black metal with liberal lashings of the depressive and doom styles, and a taste for the progressive too.
The songs have a depressive black metal feel to them, coming from their general demeanour and the melodies used. Continue reading “Vow of Thorns – Farewell to the Sun (Review)”
This is the fifth album from Todtgelichter, who play progressive/avant-garde black metal.
Rooms comes across as a combination of Enslaved and Madder Mortem, with a side-order of some of Arcturus‘ work. The resultant mix reminds of a post-black metal version of Obscure Sphinx. Which, considering who good Obscure Sphinx are, is an exciting proposition.
The music generally fuses elements of Continue reading “Todtgelichter – Rooms (Review)”
Wonderbox Metal 