Containing 57 minutes of material, the album’s style is one that takes melodic death metal as a base, and then builds on this with elements of progressive metal, melodic black metal, melodic thrash metal, and orchestral power metal. The end result is Continue reading “Aversed – Impermanent (Review)”
Full disclosure – when I saw that this band is fronted by the singer of Barren Earth and Hamferð, I got quite excited and it immediately made me hungry to listen to their album. The man has one of my favourite voices in metal, and on Access All Worlds, he puts it to damn fine use. Continue reading “Iotunn – Access All Worlds (Review)”
Wills Dissolve play a multigenre form of progressive metal that takes in a range of other styles and subgenres. Progressive black/death metal, post-metal, ambient, doom metal, and progressive rock are all included in Echoes, and all get Continue reading “Wills Dissolve – Echoes (Review)”
2017’s The Long Road Home impressed with its colossal take on atmospheric, progressive, melodic death metal. Now, in 2019, the band have returned with an even more professional delivery and production, one which features the percussive skill of the drummer of Ne Obliviscaris too. As for the music? Well, it’s simply breathtakingly good. Continue reading “Iapetus – The Body Cosmic (Review)”
The UK’s Damnation Festival has once again rolled around, and it’s time for all good music fans to get themselves to Leeds and bask in the amazing lineup that the festival gods always seem to be able to pull together. As you can see from the above poster, this year boasted some great talent.
The running times I’ll post below, so you can get an idea of how the day ran. The festival was once again sold out this year, and really felt it. Continue reading “Damnation Festival – Leeds University, 03/11/18 (Live Review)”
The Shiva Hypothesis play music that mixes elements of black and death metal together into an atmospheric and obscure form of extreme metal. Continue reading “The Shiva Hypothesis – Ouroboros Stirs (Review)”
Urn is epic, progressive, aggressive, and textured. It’s a release that has a lot to absorb and experience, requiring multiple sittings to really even start to get the most from it. This is a complex and emotive listen, one that’s highly rewarding and enjoyable. Continue reading “Ne Obliviscaris – Urn (Review)”
Okay, here we have – deep breath – atmospheric, progressive, melodic death metal. Well, that wasn’t so bad, actually. Continue reading “Iapetus – The Long Road Home (Review)”
Śūnyatā is 30 minutes of instrumental music that combines elements of progressive, technical and death metal together to form an engaging and thoughtful listening experience.
Atheist, Cynic and Death are the Continue reading “Vipassi – Śūnyatā (Review)”
Combining aspects of melodic, progressive and symphonic death metal into their delivery, Ophidian Spell offer up the listener a modern blend of these various influences. I can hear aspects of The Faceless, Devin Townsend, In Flames, Emperor/Ihsahn, Ne Obliviscaris, Delain and Septic Flesh in the mix, along with some others. Continue reading “Ophidian Spell – Nux/Hêmera (Review)”