This is the third album from Swedish black metal band Night Crowned.
I thoroughly enjoyed 2021’s Hädanfärd, and my appreciation for its dark charms has only increased over time. Tales gives us 43 minutes of new material, and I have been looking forward to hearing what it has to offer. Continue reading “Night Crowned – Tales (Review)”
It’s Damnation o-clock once more! This is always such a good festival to attend. The line up is an interesting and varied one, with some bands I’m less interested in, some that are an essential experience, and some frustrating clashes. I missed some great bands today, unfortunately, but that’s always going to be the case with such a jam-packed festival. Continue reading “Damnation Festival 2023 – BEC Arena, Manchester, 04/11/23 (Live Review)”
This is the debut album from US extreme metal band Owdwyr.
Receptor is an interesting beast. Blurring the boundaries between technical death metal, grindcore, and progressive metal, Owdwyr’s music is a riot of violence and exploratory brutality. It’s a 44-minute sophisticated wrecking ball. Continue reading “Owdwyr – Receptor (Review)”
Alkaloid are a German progressive death metal band and this is their third album.
Containing current and ex-members of bands such as Defeated Sanity, Hate Eternal, Howling Sycamore, Obscura, Obsidious, and many others, Numen is an album that benefits from a wealth of experience, and it shows in all aspects of this professionally crafted record. Continue reading “Alkaloid – Numen (Review)”
This is the third album from Greek melodic thrash/death metal band Bio-Cancer.
Strap yourself in and get ready for a wild ride. This isn’t the thrash metal of the 80s, although it’s absolutely influenced by it. Imagine early Kreator, only with increased intensity, and then throw in a energetic melodic death metal influence, and you’ll have a rough idea of where Bio-Cancer operate from. Continue reading “Bio-Cancer – Revengeance (Review)”
This is the the debut album by US extreme metal band Till the Dirt.
Brought to us by the singer of Atheist, Outside the Spiral contains 46-minutes of atypical extreme metal. It has a death metal base, but this is spliced with a few different influences to create something a little outside of the norm. Continue reading “Till the Dirt – Outside the Spiral (Review)”
This is the fifth album from US death metallers Horrendous.
Horrendous’ trajectory through their last three albums – 2014’s Ecdysis, 2015’s Anareta, and 2018’s Idol – has been an enjoyable one to experience, but it’s been a while since we’ve heard from them. As such, it’s great to finally have Ontological Mysterium, which contains 38 minutes of new material. Continue reading “Horrendous – Ontological Mysterium (Review)”
This is the debut album from Shadow Legion, a progressive extreme metal band from the US.
Shadow Legion contains 68 minutes of music, and is brought to us by current/ex-members of bands such as Diabolic, Gigan, Hate Eternal, and Pyrrhon, among others. Continue reading “Shadow Legion – Shadow Legion (Review)”
This is the debut album from UK metal band Lokust.
Infidel is a 52-minute metal album that uses modern, groove, and thrash metal to produce a crushing assault that’s shockingly accomplished for a debut album. Despite the genre tags I’ve just thrown around though, Infidel might not be what you’re expecting. Continue reading “Lokust – Infidel (Review)”
Agriculture are a black metal band from the US and this is their debut album.
Agriculture is a 31-minute black metal album that combines post-black metal, blackgaze, noise rock, and post-rock ingredients into a charismatic whole. Agriculture, (who contain a member of Ehnahre), are a band that play with passion and energy, and this is a release that is hideously enjoyable if you’re a fan of the style. Continue reading “Agriculture – Agriculture (Review)”
Wonderbox Metal 