Hymn – Breach Us (Review)

Hymn - Breach UsThis is the second album from Hymn, a Norwegian doom/sludge metal band.

Hymn play a mix of doom and sludge, and Breach Us contains 38 minutes of music divided into 4 tracks. The band is made up of only two members, but you wouldn’t necessarily realise this immediately as Breach Us sounds massive. Continue reading

TOOMS – The Orb Offers Massive Signals (Review)

TOOMS - The Orb Offers Massive SignalsTOOMS are an Irish progressive sludge metal band and this is their debut album.

Combining elements of sludge, doom, drone, stoner, and hardcore, with progressive and psychedelic touches, The Orb Offers Massive Signals contains 56 minutes of individual and well-crafted sludge nastiness. Continue reading

Today Is the Day – No Good to Anyone (Review)

Today Is the Day - No Good to AnyoneThis is the eleventh album from US unconventional experimental metal band Today Is the Day.

I really, really enjoyed 2014’s Animal Mother, which was one of my favourite releases from this artist. As such, No Good to Anyone was much-anticipated, and had a lot to live up to. Thankfully, it’s one of Today Is the Day’s bests. Continue reading

KEN Mode – Loved (Review)

KEN ModeKEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.

Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading

Horror God/Techne – Split (Review)

Horror God TechneHorror God and Techne are both Russian death metal bands and this is their split release.

Horror God offer up four songs lasting 19 minutes in total; three originals and a Purulence cover. Continue reading

Pyrrhon – What Passes for Survival (Review)

PyrrhonThis is the third album from Pyrrhon, an extreme metal band from the US.

Pyrrhon are not your standard band. I first encountered them on their 2014 album The Mother of Virtues, and even then they were a distinctly atypical and genre-breaking proposition. Continue reading