Hymn play a mix of doom and sludge, and Breach Us contains 38 minutes of music divided into 4 tracks. The band is made up of only two members, but you wouldn’t necessarily realise this immediately as Breach Us sounds massive. Continue reading
Combining elements of sludge, doom, drone, stoner, and hardcore, with progressive and psychedelic touches, The Orb Offers Massive Signals contains 56 minutes of individual and well-crafted sludge nastiness. Continue reading
This band combine Neurosis-style post-metal sludginess with energetic riff-worship and a surprisingly technical delivery to produce 38 minutes of abrasive nastiness. Mix Neurosis, very early Mastodon, Today Is the Day, and Meshuggah, and you’ll have a Continue reading
So what do we have for you this month then? February had a range of decent metal release to devour, so today I present to you a small selection of them to savour. Continue reading
I really, really enjoyed 2014’s Animal Mother, which was one of my favourite releases from this artist. As such, No Good to Anyone was much-anticipated, and had a lot to live up to. Thankfully, it’s one of Today Is the Day’s bests. Continue reading
Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading
Horror God offer up four songs lasting 19 minutes in total; three originals and a Purulence cover. Continue reading
This is a varied and diverse release; an hour of drone, doom and experimental sounds that mixes a huge array of influences from all manner of styles and genres. Continue reading
This is Technical Metal played with a love of both complexity and crushing rhythms. There’s a Hardcore side to the band that’s combined with a firm Metal base, resulting an album that combines elements of such diverse bands as Botch, Converge, Johnny Truant, Meshuggah, Circle Takes the Square, Pyrrhon, Today Is the Day, Scarlet, Frontierer, Sikth, Periphery and many others.
Featuring a splenetic vocalist who has a vicious screamed shout, these songs provide a satisfying ear-bashing while also catering to those who like a bit of technicality and complexity with their beatings. It doesn’t go too far down the complexity route though, as there’s plenty of big rhythms and grooves provided to get the listener moving and jerking around the place in strange movements.
The album lasts 45 minutes and provides a meaty feast for anyone into this kind of thing.
Give them a listen.