Here we have the follow up to 2018’s Solem Vatem, and it’s a damn good one. While Solem Vatem was a solid, enjoyable release, A Memoir of Free Will finds the band levelling up in pretty much every area as far as I’m concerned. Continue reading
I’ve been waiting for this one. Both 2014’s The Flesh Prevails and 2016’s Dreamless were superb albums, so the bar is set high for Undying Light. A change in singer and loss of a guitarist can potentially be a challenge for a band, but when I saw them live recently it sounded as if Fallujah’s new vocalist had easily made his mark. So now we have the new album in full, how does it all manifest? Continue reading
Aenimus fuse a range of different styles into their modern death metal. It’s progressive and technical, and takes parts of the djent and deathcore styles into itself quite easily. The music twists and turns with a futuristic Continue reading
So, who’s up for a night of unbridled technical brutality? Everyone in attendance at Rebellion tonight, that’s who. With a lineup like this, who can blame them?
Also, there’s a bartender here with an Acid Bath T-Shirt on. Top man. Continue reading
Australians seem to know how to tear out some decent extreme metal, and Prometheus is a very enjoyable listen if you’re partial to modern heavy music. Yep, fans of Aversions Crown, Thy Art Is Murder, Fit for an Autopsy, and the like are advised to check this out.
This is a modern brand of extremity, one that mixes elements of modern, melodic, technical death metal, and deathcore together into a sci-fi themed 24 minutes. Continue reading
Okay, here we have – deep breath – atmospheric, progressive, melodic death metal. Well, that wasn’t so bad, actually. Continue reading
Palace of the Pessimist has a nicely heavy sound. So much so that you might be concerned about coming away from the album a lot flatter, a lot more squashed than you once were, so weighty is the band’s serrated assault. Oh, and you’ll be bleeding too. Continue reading
Ulcerate personify atypical progressive/technical death metal. They incorporate enough other styles and influences to be termed post-death metal in some respects, although they still have the requisite amount of aggression Continue reading
Starting off softly, with ambient sounds and female vocals, this album is a different beast to the band’s last album A Never Ending Cycle of Atonement. Sure, the band haven’t completely changed, but they’ve definitely progressed a significant amount.
So if you take their Continue reading