Cursed Sun combine thrash metal with Southern sludge, a bit of melodic death metal, and some NWOAHM. As we’ll see, there’s more to this band than just this though, and in many ways Cursed Sun channel some quite old-school aspects in their sound. Continue reading
Holy shitbastards this is good!
This is Southern-styled metal, with a bit of hard rock thrown in for good measure, as well as some hardcore influences. Sometimes when you think of a band who are described as Southern metal, you can think of tired clichés and generic delivery; there’s none of that here. Continue reading
The Devil’s Own is an album full of choice riffs, Southern metal vibes, and assured attitude.
Recalling years past when bands like Pantera and Lamb of God ruled the roost with their belligerent Continue reading
Devil Gone Public play stoner/groove metal with a Southern flavour. Imagine a mix of Orange Goblin, Lamb of God, Red Fang, Black Tusk, Mastodon, Corrosion of Conformity and Down – this should give you a good starting point for what Devil Gone Public sound like.
The songs Continue reading
This is a riotous, rocking collection of tracks that offer high energy hooks and a filthy disposition.
Barkyard Junkyard is full of hard rocking tunes with plenty of swagger Continue reading
For many though this band need no introduction. This is Southern Metal that combines elements of Heavy Metal, Doom Metal and Punk Rock into the 42 minutes playing time.
The songs exude confidence and walk with a cocky swagger. In some ways you could call this “feelgood Metal”. This is good-time Rock-and-Roll that’s the Metal equivalent of easy listening. Almost.
The album has an organic, earthy feel to it with the sound matching.
There’s a very relaxed vibe to most of these songs, with the band sounding loose, almost like it’s a rehearsal. They sound very much at ease with the material and even the more up tempo songs don’t seem hurried in any way.
The vocals are lazily melodic and have an ease of delivery where it feels like his voice just falls out of the speakers.
Ultimately Corrosion of Conformity have a lot of charisma and the songs are easy to like. IX is a good listen.
The band have a Southern Metal/Sludge influence to their sound that adds some extra bite to proceedings. They also give us some solos, which is always welcome.
The sound is rough and raw but allows the spiky riffs to claw their way through. Rather than be held back by the primitive production the band make it work for them; they warp and distort it to their needs until it becomes little more than another sonic weapon in their arsenal.
The vocals are gruffly melodic with some harsher growls thrown into the mix now and again. They are assured and use interesting patterns and melodies. They are also confident enough as a unit to occasionally lay off the vocals for long enough to let the music do the talking and let the guitars lead the way.
There’s three songs here that act as a showcase for the band. Each song is a filthy juggernaut of underground Metal riffs and belligerent anger.
Blood Sport has a strong Sludge influence to the sound and is the audio equivalent of barbed wire.
The title track B.O.D features slightly higher vocals for some parts and has a bouncy, Southern feel to it that gives the track a Rocky edge, albeit one haunting the murkiness.
The final track Figure on a Barb Wire Cross is lumbering Rocker that crosses the previous two tracks to create a mutated rager.
Black Emerald have stumbled on a style that fuses Metal with an aspect of Sludge in such a way that it doesn’t sound done to death; it sounds quite fresh in fact. Hopefully this release will be the first of many, and I look forward to what comes next from this promising band.