This is a very accomplished hour or so of doom metal, interleaved with elements of progressive rock, blues rock, and atmospheric metal. Continue reading
This is a mix of garage, alternative, blues, and psychedelic rock. With keyboards, hammond organ, extra percussion, and a saxophone, this is an entertaining and characterful release that has a 70s lo-fi art-rock feel to it. Continue reading
Featuring current and ex members of bands such as Candlemass, The Doomsday Kingdom, Jupiter Society, Tiamat, and Evergrey, you know a lot of experience and talent is going to be present on this album before you even listen to it. Continue reading
I decided to listen to this purely on the band’s name and the album cover. Of course, if after pressing play for the first time I didn’t like what I heard, it never would have made it to the review stage, but I did, and it did. Continue reading
Veteran doom metal band The Obsessed return with their first album in over 20 years. I think it’s fair to say there’s a lot of expectation riding on this in certain quarters. Continue reading
This is lo-fi doom rock with a distinctly ancient feel to it. Ascending Demons offers up 15 minutes of this, with downbeat riffs and the some old-school death/doom-styled melodies mixed in. Continue reading
Previous album Gators Rumble, Chaos Unfurls was an uncommon blend of Black Metal, Sludge and southern US Metal riffing. Sundown (The Flock That Welcomes) continues this combination of Black Metal and Sludgy Blues Rock, although now the emphasis is much more on the Black Metal side of the equation.
Featuring sharp and cutting riffs alongside serrated vocals, a lot of the music on this album is dangerously bladed, seemingly out to cause harm with its fast guitars and blackened melodies. Continue reading