Windhand play doom metal, and very nice it is too. On this release they give us 20 minutes of material that’s split into two tracks. Continue reading
On Anatomical Venus Black Moth combine doom, garage, and psychedelic rock ,with a bit of the old metallic heavier stuff, into 45 minutes of kicking jams and beguiling songs. Continue reading
Now this is the stuff. Involved, textured, and full of emotive delivery, this is an album that will worm its way into your head and stay there. Continue reading
This is a mix of stoner, doom, and psychedelic rock that offers the listener 42 minutes of authentic chunky rockers. Continue reading
Featuring current and ex members of bands such as Candlemass, The Doomsday Kingdom, Jupiter Society, Tiamat, and Evergrey, you know a lot of experience and talent is going to be present on this album before you even listen to it. Continue reading
Full of fuzzy riffs and distorted goodness, this is an album that worships The Holy Riff at the space altar of tripped out doom rock. Continue reading
This is lo-fi doom rock with a distinctly ancient feel to it. Ascending Demons offers up 15 minutes of this, with downbeat riffs and the some old-school death/doom-styled melodies mixed in. Continue reading
This is fuzzy doom rock with an addictive edge that lures the listener in, seductively, with wily allure.
A large part of this is down to the singer’s voice, which Continue reading
Playing the easy-listening proto-Metal Doom Rock so beloved in the 1970s, while also incorporating wider sounds from 60s psychedelia, Witchcraft have the retro vibe fully sewn up. It would be sickening if it wasn’t so damn good.
That’s the real central point about a band like this; they really are just that good. There’s a lot of music on Nucleus, but all of it is stamped with pure quality and it soars high over the heads of most bands that try their hand at this kind of thing.
Another interesting aspect of Nucleus is that even though it positively wallows in the past, and the production embraces this, it still sounds solid, professional and tight, despite an unashamedly old-school sound in many ways. Put simply, they manage to sound huge and polished without actually being overtly so. Impressive.
I like that there’s an exploratory sound to their music, influenced by the more progressive aspects of the 70s in some ways; it feels like the band are taking you along on their own personal journey and you’re not quite sure what you’re going to see. Which is another reason why they’re so good – this isn’t just your normal Trad-Doom-by-numbers release, as there’s a lot more going on here, hidden in plain sight.
There’s a wide range of song lengths on this release, from the short to the very long. Lighter, rockier moments share space with Doomier ones and the overall impression is of a well-thought-out album that has all of its bases covered for what it wants to achieve.
The singer’s voice is charismatic and easily-likeable. His performance is first-rate and speaks of a confidence of delivery honed through experience.
Very nice. Very enjoyable.