I’m a sucker for Lucifer’s Fall. Whatever they do seems like filthy doom gold as far as I’m concerned. If you haven’t already, make sure you also check out their past releases, (Lucifer’s Fall, Fuck You We’re Lucifer’s Fall, II – Cursed & Damned, Tales from the Crypt), as every single one of them is worth it. Continue reading “Lucifer’s Fall – III – From the Deep (Review)”
Featuring Robert Lowe, (an ex-member of Candlemass), on vocals, En Delirium contains 48 minutes of largely traditional doom metal mixed with a touch of modern sludge, to produce a compelling piece of work. Continue reading “Grief Collector – En Delirium (Review)”
Onwards and Downwards contains 46 minutes of old-school music that sits somewhere between doom metal and psychedelic hard rock. Continue reading “Alastor – Onwards and Downwards (Review)”
Sometimes a band appears that is ostensibly no different to that of many other groups playing with a similar sound, but that has an ineffable quality that simply manages to captivate. For me, Acid Mammoth is one such band. Continue reading “Acid Mammoth – Caravan (Review)”
This is the fourth album from US doom metallers Pallbearer.
This is old-school doom metal mixed with a progressive delivery. Black Sabbath and Candlemass are obvious rough starting points for the band’s sound, but you can also hear the influence of 70s progressive rock on the songs too. Continue reading “Pallbearer – Forgotten Days (Review)”
This is the fourth album from Brimstone Coven, a rock band from the US.
Here we have 35 minutes of endearing rock that mixes together elements of proto-metal and doom rock to produce music that has a 70s feel, while not being overly beholden to it. Bands like Black Sabbath, Pentagram, and Deep Continue reading “Brimstone Coven – The Woes of a Mortal Earth (Review)”
2015’s Endless Serpents was a good start to the Hellhookah tale, and now, five years later, we have the next chapter. The Curse gives us eight new tracks and 38 minutes of material to enjoy. Continue reading “Hellhookah – The Curse (Review)”
Taking a jagged, almost experimental approach to doom, Blacklab’s music is a curious fusion of Black Sabbath, Boris, and The Stooges. This is dark, raw, and peppered with hardcore and noise rock influences. Continue reading “Blacklab – Abyss (Review)”
Based on the classic sound of doom in the vein of Black Sabbath and Pentagram, and then updated with modern influences from the realms of sludge and stoner, Rites contains 45 minutes of satisfying doom metal. Continue reading “Satyrus – Rites (Review)”
So, Kirk Windstein, he of Crowbar fame, owner of one of the most distinctive and recognisable voices in metal, and all-round legend, has a solo album? Well, this qualifies for an must-listen or ten. Continue reading “Kirk Windstein – Dream in Motion (Review)”