Windhand play doom metal, and very nice it is too. On this release they give us 20 minutes of material that’s split into two tracks. Continue reading
On Anatomical Venus Black Moth combine doom, garage, and psychedelic rock ,with a bit of the old metallic heavier stuff, into 45 minutes of kicking jams and beguiling songs. Continue reading
Just take a look at that album cover. I mean, how could you not be intrigued by that?
When you delve in, you’ll find that Diablo Blvd play a mix of classic and Continue reading
2014’s Crawling out of the Crypt was one of my favourite release from that year, and if I had to do that best of list over again the album would have definitely made it into the top 20 or so. As much as I enjoyed it at the time, it’s been a firm grower, and is an exceptional example of doom metal done right in an authentic, honest, and traditional way. Continue reading
With a heady whiff of stoner, Clutch and Black Sabbath-esque vibes, Telekinetic Yeti deliver over 40 minutes of psychedelic doom rock/metal for the listener’s delectation. Add in some Red Fang and Mastodon and you have a very full album. Continue reading
Here we have an earthy, gritty band that trade in stoner riffs with some nice doom and blues elements.
The guitars are Continue reading
Here we have 40 minutes of blissfully hypnotic stoner doom metal, replete with grand fuzzy riffs, psychedelic noodling and more dark, hazy atmosphere than you can shake a bong at. Continue reading
This is fuzzy doom rock with an addictive edge that lures the listener in, seductively, with wily allure.
A large part of this is down to the singer’s voice, which Continue reading
There’s a quality level of musicianship on Cycles of Mobeum, and this Continue reading
Sourvein return with an aquatic-themed album, it seems.
The band play their sludge with a raw energy that seems to tap into something primeval and old, probably something lurking in the deepest waters in the darkest ocean.
With a heavy sound that’s warmly analogue, these songs have a kind of retro vibe to them that manages to eschew any of the normal bullshit trappings that such a term usually involves. Rather, what we have here is music that’s honest, visceral and not afraid to get dirty, (wet?).
The songs have groove and melody, both of which are used well throughout the playing time. It’s an endearing mix of influences that combine on this release, with everything from Electric Wizard, Eyehategod, Black Sabbath, Acid Bath and Mastodon making it into the melting pot.
Short tracks don’t outstay their welcome, and Sourvein know how to flourish a song with a relatively short playing time for maximum effect.
There are some quality and earthy, (aquatic?), guitar solos included, alongside a bass that just sounds really, really good.
The singer reveals himself to be quite versatile, with clean and rough singing, as well as throaty shouts used where necessary. He has a lot of presence and charisma, which can also be said of the songs as a whole. Taken together the music and the vocal performance make for a very strong collection of tracks that are both catchy and memorable.
Well, this is very, very enjoyable. Sourvein stick out from the crowd as having something a bit special and being a bit different from the norm.
You gotta get this, or Poseidon will be pissed.