The follow up to 2018’s striking Future Cult, Skin Show contains 42 minutes of individually-crafted metal. The music on Skin Show can best be described as that of a sludge metal band merged with 70s progressive Continue reading “The Lion’s Daughter – Skin Show (Review)”
In no particular order, I present to you once more with my monthly roundup – some of my favourite metal releases from July 2018. Enjoy! Continue reading “Monthly Overview – the Best of July 2018”
The Lion’s Daughter always seem willing to try out new things, enhancing their core of heavy sludge with all manner of different elements depending on their mood and interests at the time. Thus far, for me their most striking Continue reading “The Lion’s Daughter – Future Cult (Review)”
I’ve been following The Lion’s Daughter for a while now and enjoyed their previous outings into the world of Blackened Sludge, so when I found out they were collaborating on an album with Folk group Indian Blanket I was intrigued.
I wasn’t sure what to expect upon pressing play, but it wasn’t this. I though it might be good, but this? This is a jaw-droppingly stunning album. In much the same way that Panopticon successfully incorporated bluegrass into Black Metal on their album Kentucky; The Lion’s Daughter and Indian Blanket, against all odds, have managed to successfully incorporate Folk into Sludge. The results are as astounding as they are fantastic.
If only I had heard and reviewed this at the end of 2013 it would probably have topped my end-of-year list I can tell you that now.
The album combines heaviness and softness in equal measure, using the best tools for the job depending on the needs of the song. Regardless of style it’s always dark, always emotionally charged and always tinged with melancholy.
Sludge Metal and acoustic passages; blast beats and strings; raw-throat shouts and delicate crooning; it’s all here. Taking the very, very best bits of bands like Neurosis, Isis, Year Of No Light, Agalloch and Wolves in the Throne Room then combining them with haunting Folk-inspired orchestration and Dax Riggs-style acoustics and vocals; this is a masterpiece of music awaiting discovery by any Metal fan looking for the best in unconventional heavy music.
To the cynical reader this may all smack of hyperbole, but the simple fact is that I absolutely love this album and it really is just that good. Do yourself a favour and get it immediately.