Glorior Belli – The Apostates (Review)

Glorior BelliThis is the seventh album from Glorior Belli, a French black metal band, (essentially a one man band with hired help).

It’s always great to hear something new from this charismatic and individual band, and here we have 47 minutes of new material.

If you’re not familiar with Glorior Belli’s work, (check out Gators Rumble, Chaos Unfurls and Sundown (the Flock That Welcomes)), this is a band that Continue reading “Glorior Belli – The Apostates (Review)”

Corrosion of Conformity – No Cross No Crown (Review)

Corrosion of ConformityCorrosion of Conformity are a US metal band and this is their tenth album.

Back with their classic lineup, this is essentially a return to Corrosion of Conformity’s Deliverance/Wiseblood days, giving us 53 minutes of Southern metal mixed with good old-fashioned rock ‘n’ roll attitude. In many ways No Cross No Crown continues on from where Wiseblood left off, and Continue reading “Corrosion of Conformity – No Cross No Crown (Review)”

King Bison – Snake Head Burial (Review)

King BisonKing Bison are a UK metal band and this is their debut EP.

Fat riffs and heavy groove. If this sounds like your thing, then make sure that you check out King Bison’s music. Continue reading “King Bison – Snake Head Burial (Review)”

Zud – A Wilderness Left Untamed (Review)

ZudZud are a US black metal band and this is their second album.

It’s been a long wait since the band’s 2013 debut album The Good, the Bad and the Damned, but we now finally have a new release from this very individualistic black metal band. Continue reading “Zud – A Wilderness Left Untamed (Review)”

Hogan’s Goat – Hogan’s Goat (Review)

Hogan's GoatHogan’s Goat are from the US and play hard/stoner rock. This is their debut album.

This is Southern-styled stoner/hard rock that should appeal to fans of bands such as Clutch, Red Fang, Mastodon, and the like. Continue reading “Hogan’s Goat – Hogan’s Goat (Review)”

Mindkult – Witch’s Oath (Review)

MindkultThis is the debut EP from Mindcult, a one-man doom metal band from the US.

This is fuzzy doom rock with an addictive edge that lures the listener in, seductively, with wily allure.

A large part of this is down to the singer’s voice, which Continue reading “Mindkult – Witch’s Oath (Review)”

Thundering Herd – Backyard Junkyard (Review)

Thundering HerdThis is the début album from this US Southern/stoner metal band.

This is a riotous, rocking collection of tracks that offer high energy hooks and a filthy disposition.

Barkyard Junkyard is full of hard rocking tunes with plenty of swagger Continue reading “Thundering Herd – Backyard Junkyard (Review)”

Zud – The Good, The Bad And The Damned (Review)

ZudZud come from the US and this is their début album full of Black Metal played purely on the band’s own terms.

After a perfunctory intro the first thing that strikes me is their use of a long, winding guitar solo. Now I like a good guitar solo anyway, but Black Metal and guitar solos are not things that are normally associated with each other, so straight away we have a pleasant surprise.

After this promising start the band continue to deliver with Old-School Black Metal mixed with Southern Rock and even a dash of 70’s Prog. The songs are played at length and with belligerence, bluster and melody.

The riffs have character and swagger, seemingly jumping out of the speakers to kick you in the shins. There is a definite Blues-y, Rock-y air to the riffs; almost feel-good Stoner Rock combined with the nihilistic core of Black Metal. The melding of the two genres comes across differently in Zud’s work to how it does in, say, Glorior Belli; while the latter have a more overt approach to mixing the styles, Zud somehow manage to make it seem a more natural choice and the combination is seamless.

The singer spits his lyrics with character and personality. His voice is a non-standard Black Metal rasp; in fitting with the out-of-the-ordinary music Zud have a vocalist that embodies the unconventional approach that they take and is the perfect mouthpiece for the band.

They’re even on to a winner with the production; it’s dirty enough to be authentic but clear enough to allow the songs to do their thing. Top marks.

Favourite Track: Skull Shaped Bell. A microcosm for the album as a whole; it combines rawkus riffing, laid-back noodling and attitude to spare.

Like the aforementioned Glorior Belli this is a band who are daring to do something different; daring to go their own way. In a cesspool of mediocrity and Darkthrone-clones they embody the unfettered spirit of Black Metal far better than many of their so-called peers. An exceptional release.