This is the debut album from UK stoner rock band Ghozer.
Lux Incerta are inspired by the 90s UK doom scene, and list bands such as Paradise Post, Cathedral, and My Dying Bride as prime influences. Alongside the distinctly non-doom Iron Maiden, which they also state as an influence, the band have used these starting points to craft 61 minutes of immersive doom metal. Continue reading “Lux Incerta – Dark Odyssey (Review)”
As soon as I saw that Friends of Hell featured ex-members of Electric Wizard and Reverend Bizarre, I knew I wanted to sample its wares. I haven’t been disappointed. Continue reading “Friends of Hell – Friends of Hell (Review)”
I’m a sucker for Lucifer’s Fall. Whatever they do seems like filthy doom gold as far as I’m concerned. If you haven’t already, make sure you also check out their past releases, (Lucifer’s Fall, Fuck You We’re Lucifer’s Fall, II – Cursed & Damned, Tales from the Crypt), as every single one of them is worth it. Continue reading “Lucifer’s Fall – III – From the Deep (Review)”
The promo blurb states that this album is for fans of Cathedral, Candlemass, Trouble, and Solitude Aeturnus, and that’s a fair assessment. Continue reading “Wolf Counsel – Destination Void (Review)”
I have a certain fondness for Cardinals Folly’s second album Our Cult Continues!. This was basically an hour of fuzzy traditional doom metal which had plenty of character and personality. Continue reading “Cardinals Folly – Deranged Pagan Sons (Review)”
The Festival is a H. P. Lovecraft-themed release, completely built and fashioned around one of his stories of the same name.
This is heavily atmospheric doom metal and sees the band mixing elements of classic proto-black metal into their cauldron and Continue reading “Swampcult – The Festival (Review)”
This is underground filthy sludge metal that takes inspiration from bands like Eyehategod, Crowbar, Down, Corrosion of Conformity, Cathedral and Electric Wizard. There’s a hint of, (dirtied-up), grunge in their sound, (not too dissimilar from the recent Boss Keloid album), as well as some pinches of old-school punk. There’s even a touch of Type O Negative in places.
This is raw and utterly unpolished, but Continue reading “Warped Cross – Abbot of Unreason (Review)”
This is Doom Metal with plenty of heaviness and bite.
Slow, colossal riffs ring out from the speakers, slowly trying to drag you into oblivion. I do like a band that knows how to play at a glacial pace.
The growled vocals sound like a howling daemon rising from the pit to swallow you whole, whilst the marginally less-deep vocals remind of the singer of Cathedral with a rougher voice mixed with the singer of The Meads of Asphodel.
This is Doom with an undercurrent of Sludge running through the waste pipes. There’s a wildness to Fortress that doesn’t need taming; it’s part of their innate appeal.
Feedback-laden, dirty and unkempt; Fortress remind of Grief, only with longer songs, mixed with a band like Conan.
Chunky, heavy riffs power the songs and some of the guitar parts have a Stoner Metal vibe to them. Everything is played at a snail’s pace though, so both Stoner and Sludge influences ultimately get poured into the same drain that’s filled to the brim with DOOOOM!
For quality Doom that’s crushingly heavy and a vibe of total despair and loss, look no further than Fortess.
Favourite Track: Either Lies & Fears; Slow. Heavy. Miserable. Compelling; or The Nothing, with subtle, ethereal female cleans in the background. Haunting.