Lux Incerta – Dark Odyssey (Review)

Lux Incerta - Dark OdysseyThis is the second album from French doom metal band Lux Incerta.

Lux Incerta are inspired by the 90s UK doom scene, and list bands such as Paradise Post, Cathedral, and My Dying Bride as prime influences. Alongside the distinctly non-doom Iron Maiden, which they also state as an influence, the band have used these starting points to craft 61 minutes of immersive doom metal. Continue reading “Lux Incerta – Dark Odyssey (Review)”

Friends of Hell – Friends of Hell (Review)

Friends of Hell - Friends of HellThis is the debut album by Friends of Hell, an international doom metal band.

As soon as I saw that Friends of Hell featured ex-members of Electric Wizard and Reverend Bizarre, I knew I wanted to sample its wares. I haven’t been disappointed. Continue reading “Friends of Hell – Friends of Hell (Review)”

Lucifer’s Fall – III – From the Deep (Review)

Lucifer's Fall - III - From the DeepThis is the third album from Australian doom metallers Lucifer’s Fall.

I’m a sucker for Lucifer’s Fall. Whatever they do seems like filthy doom gold as far as I’m concerned. If you haven’t already, make sure you also check out their past releases, (Lucifer’s Fall, Fuck You We’re Lucifer’s Fall, II – Cursed & Damned, Tales from the Crypt), as every single one of them is worth it. Continue reading “Lucifer’s Fall – III – From the Deep (Review)”

Wolf Counsel – Destination Void (Review)

wolf counsel - destination voidThis is the fourth album from Swiss doom metal band Wolf Counsel.

The promo blurb states that this album is for fans of Cathedral, Candlemass, Trouble, and Solitude Aeturnus, and that’s a fair assessment. Continue reading “Wolf Counsel – Destination Void (Review)”

Cardinals Folly – Deranged Pagan Sons (Review)

Cardinals FollyCardinals Folly are a Finnish doom metal band and this is their fourth album.

I have a certain fondness for Cardinals Folly’s second album Our Cult Continues!. This was basically an hour of fuzzy traditional doom metal which had plenty of character and personality. Continue reading “Cardinals Folly – Deranged Pagan Sons (Review)”

Swampcult – The Festival (Review)

SwampcultSwampcult are a doom metal band from The Netherlands, this is their second album.

The Festival is a H. P. Lovecraft-themed release, completely built and fashioned around one of his stories of the same name.

This is heavily atmospheric doom metal and sees the band mixing elements of classic proto-black metal into their cauldron and Continue reading “Swampcult – The Festival (Review)”

Warped Cross – Abbot of Unreason (Review)

Warped CrossWarped Cross are a sludge metal band from Germany and this is their début album.

This is underground filthy sludge metal that takes inspiration from bands like Eyehategod, Crowbar, Down, Corrosion of Conformity, Cathedral and Electric Wizard. There’s a hint of, (dirtied-up), grunge in their sound, (not too dissimilar from the recent Boss Keloid album), as well as some pinches of old-school punk. There’s even a touch of Type O Negative in places.

This is raw and utterly unpolished, but Continue reading “Warped Cross – Abbot of Unreason (Review)”

Fortress – Unto the Nothing (Review)

FortressFortress are from the US and play Doom Metal. This is their début album.

This is Doom Metal with plenty of heaviness and bite.

Slow, colossal riffs ring out from the speakers, slowly trying to drag you into oblivion. I do like a band that knows how to play at a glacial pace.

The growled vocals sound like a howling daemon rising from the pit to swallow you whole, whilst the marginally less-deep vocals remind of the singer of Cathedral with a rougher voice mixed with the singer of The Meads of Asphodel.

This is Doom with an undercurrent of Sludge running through the waste pipes. There’s a wildness to Fortress that doesn’t need taming; it’s part of their innate appeal.

Feedback-laden, dirty and unkempt; Fortress remind of Grief, only with longer songs, mixed with a band like Conan.

Chunky, heavy riffs power the songs and some of the guitar parts have a Stoner Metal vibe to them. Everything is played at a snail’s pace though, so both Stoner and Sludge influences ultimately get poured into the same drain that’s filled to the brim with DOOOOM!

For quality Doom that’s crushingly heavy and a vibe of total despair and loss, look no further than Fortess.

Favourite Track: Either Lies & Fears; Slow. Heavy. Miserable. Compelling; or The Nothing, with subtle, ethereal female cleans in the background. Haunting.

Crucifyre – Black Magic Fire (Review)

CrucifyreThis is the second album from Sweden’s Crucifyre. They play dark Death Metal full of personality and great songs.

The first track starts in a very unexpected fashion, with darkly melodic Doom riffing and clean female vocals that sound quite ritualistic. It’s a bold start to the album and when the song starts “proper” it doesn’t disappoint.

Calling Black Magic Fire Death Metal is a bit of a disservice in a way, as there’s a lot more going on here than just a straight ahead Death Metal album. Bringing to mind a mix of bands like Usurper, Venom, The Meads of Asphodel, Cathedral, Celtic Frost, Gravehill, Black Sabbath and Dismember this is a strong release that captures an occult feeling and channels it through a Heavy Metal core with a Death Metal exterior.

The band have that Old-School Death Metal style going on but there’s also more than enough Classic, Heavy and Doom Metal touches/riffs to go around. This means that the album is incredibly well-rounded and complete. Back this up with a set of very solid songs and you have an album that is extremely impressive in nature.

When I mentioned The Meads of Asphodel earlier it was because I hear echoes of this band in the vocal department and the vocal patterns/rhythms; Crucifyre have the same talent for catchy rhythms and Blackened shout/growls that have a similar character and personality. Semi-clean vocals even make an appearance and these are just great.

Albums like this are more than just one style; this release has a plethora of weapons with which to ensnare the listener and hook them in. The brutality is rhythmic and this is very song-oriented so that each track has an actual identity rather than just taking up space. The personality and character of the vocals spills over to the music as well and the passion and fervour of the band for all things Metal is never in doubt.

This passion is backed up by talent though and they ably pull off everything they try, whether this is the cleaner sections, the ugly brutality, the catchy songs, organs, sound effects, impressive solos or the female enhancement; it’s all performed and delivered at a masterly level.

There’s enough here to appeal to almost any Metal fan. This is Metal as it should be done. I love it.

Get this.