Another year, another list. 2025 followed 2024 as it was meant to, and brought with it a plethora of new metal albums to get excited about. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2025”
Tag: Dawnwalker
Dawnwalker – The Between (Review)
This is the seventh album from UK progressive metal/rock band Dawnwalker.
Dawnwalker are one of those rare bands that genuinely do attempt something different with each release. 2022’s murky, hallucinogenic House of Sand was a massive hit for me, and I loved it. 2024’s follow up The Unknowing was ultimately less to my taste, with its classic prog rock stylings, but still enjoyable nonetheless. So, with that in mind, what does The Between have to offer? Continue reading “Dawnwalker – The Between (Review)”
Dawnwalker – The Unknowing (Review)
This is the sixth album from UK progressive rock band Dawnwalker.
2022’s House of Sand was such a good record. Two years later, we have The Knowing, which delivers 38 minutes of new material. On this new record the mastermind behind the band has been joined by a new collective of musicians, and a fresh sound. Continue reading “Dawnwalker – The Unknowing (Review)”
Isenordal – Requiem for Eirênê (Review)
This is the third album from Isenordal, a doom metal band from the US.
Brought to us by members of Dead to a Dying World and Wilt, Requiem for Eirênê contains 56 minutes of expressive doom metal. Isenordal play a multifaceted style that combines elements of funeral doom, black metal, and neofolk. Requiem for Eirênê is an album that’s rich in evocative layers. Continue reading “Isenordal – Requiem for Eirênê (Review)”
Slomatics – Strontium Fields (Review)
Slomatics are a doom metal band from the UK and this is their seventh album.
They’re heavy, they’re doomy, they’re Slomatics. This is a band that I really, really like. Haven’t heard them? As well as this new record, make sure you check out Future Echo Returns, Canyons, and their splits with Mammoth Weed Wizard Bastard/MWWB and Yanomamo. Continue reading “Slomatics – Strontium Fields (Review)”
The Anchoret – It All Began with Loneliness (Review)
The Anchoret are a Canadian progressive metal band and this is their debut album.
The Anchoret play a multifaceted brand of progressive metal that takes in aspects of progressive rock and a touch of extreme metal. This has resulted in an album that has plenty of impactful content to instantly appeal, but can also draw the listener back in over time. For a very rough starting point, think a combination of parts of bands such as Karnivool, Between the Buried and Me, Sermon, David Bowie, Dream Theater, Opeth, Queen, The Ocean, Dawnwalker, Ihsahn, and Rush. Continue reading “The Anchoret – It All Began with Loneliness (Review)”
Wonderbox Metal End of Year List – Best Metal of 2022
So here we are again. It’s December, and year end lists are flying around like shrapnel. Due to the inherent subjectivity of music it’s always interesting to see what people have made of the preceding year.
For me, I made a concerted effort to drag myself away from the depths of black metal’s always-enticing abyss to spend some more time with other genres and styles that I also love. I said something similar last year, but I feel this year I was more successful in achieving that end. Of course, I still love black metal, still listen to it constantly, and you’ll still find some great examples of the blackened arts in the list below.
2022 was a strong year for death metal for me, and I enjoyed more death metal bands in a deeper way than I have done for some time. In every year there are standout releases, but I felt this year the standard was raised throughout. Possibly I was simply more receptive to it. Either way, you’ll find more death metal-related acts, and in higher spots, in this selection than you’ll have seen in my lists for a while.
As with last year, grindcore was largely absent from my year, disappointingly, as was hardcore. Additionally, the sort of lengthy, ugly, abyssal doom that I love so much has been largely lacking too. It’s all probably out there somewhere, but I didn’t catch it.
The top two spots this year are both claimed by albums/bands/styles that I simply could not have predicted would be at the pinnacle of my list by the year’s end, (one of the bands I hadn’t even heard of in January). I hope you enjoy these excellent records even half as much as I do.
Lastly I just want to say a big thank you to any and all that might read this site. It’s only a small endeavour, and I do it purely for the love of all things METAL and to support bands that I enjoy in whatever minor way I can, but if this is you, a heartfelt thank you for enduring my scribblings.
On to it! Continue reading “Wonderbox Metal End of Year List – Best Metal of 2022”
Monthly Overview – the Best of August 2022
In what was once again a solid month for metal, I give you below my five favourite albums from August… Continue reading “Monthly Overview – the Best of August 2022”
Dawnwalker – House of Sand (Review)
This is the fifth album from UK progressive rock band Dawnwalker.
Driven by a single artist who has gathered a rich band of musicians around him, the core standard instruments are fleshed out by piano, violins, and no fewer than four vocalists. Continue reading “Dawnwalker – House of Sand (Review)”
