This is the third album form Greek doom/stoner metallers Acid Mammoth.
Sometimes a band appears that is ostensibly no different to that of many other groups playing with a similar sound, but that has an ineffable quality that simply manages to captivate. For me, Acid Mammoth is one such band. Continue reading “Acid Mammoth – Caravan (Review)”
Vofa are a doom metal band from Iceland, and this is their debut album.
Vofa contains just three tracks, but each is over 12 minutes in length, making for an album with a total duration of 37 minutes. Continue reading “Vofa – Vofa (Review)”
This is the debut album from US black metal band Murk Rider.
Three enormous songs, with a combined duration of 82 minutes? Okay, I’ll bite.
An album of depth, both musically and thematically, Exile of Shadows is black metal in only one of its aspects, albeit a primary one. The band also occasionally incorporate apocalyptic sludge and stoner doom into their melting pot, as well as strands of classic heavy and speed metal. This curious, (yet effective), mixture means that Continue reading “Murk Rider – Exile of Shadows (Review)”
Bismarck are a doom metal band from Norway and this is their debut album.
Here we have 35 minutes of doom metal that incorporates quite a few different sub-styles into its melting pot. Drawing on influences from stoner, doom, drone, progressive, sludge, psychedelic, and post-metal, Urkraft is a well-rounded and satisfying slab of heaviness. Continue reading “Bismarck – Urkraft (Review)”
This is the fourth album from UK doom metal band Alunah.
An obvious focal point for anyone listening to Alunah is the incredibly impressive singing voice of their vocalist. She has the kind of voice that can soar ethereally, while also providing softer, more intimate vocals when Continue reading “Alunah – Solennial (Review)”
Brothers of the Sonic Cloth are a Stoner Doom band from the US and this is their début album.
Brothers of the Sonic Cloth are heavy and rocking, which is the Stoner influence; they’re also slow and mournful, which is where the Doom element comes in; however they also have a nasty side that manifests in the Sludge part of their sound.
The vocals are nicely varied, with everything from harsh shouting to crawling drawls. All styles are performed perfectly in line with the emotive music and the variety sounds natural rather than forced.
Like the vocals, there’s a lot on offer musically. The band aren’t one dimensional at all and the songs here truly do incorporate Stoner, Doom and Sludge into a cohesive package that covers a lot of ground during the 45 minutes playing time. The band are all seasoned veterans so I should expect no less really.
I’ve connected with this album on a deeper level than I thought I would. It’s an album that is diverse and feels like it takes you on a journey, which is a feeling I love in my music. More than that though, it’s the sound they’ve created; it’s heavy enough to be crushing but nuanced enough to retain character and personality.
Well, this album has been a surprise and a treat. Get ready to worship.