This is the third album from thrash metal band Demoniac, from Chile.
Demoniac are back with more ripping thrash that’s memorably enriched with non-standard ideas and songwriting, as well as clarinet, Moog, and accordion. The band’s idiosyncratic style was very nicely demonstrated on 2021’s So It Goes, and on Nube Negra they spend 42 minutes showcasing their individual style once more. Continue reading “Demoniac – Nube Negra (Review)”
This is the the debut album by US extreme metal band Till the Dirt.
Brought to us by the singer of Atheist, Outside the Spiral contains 46-minutes of atypical extreme metal. It has a death metal base, but this is spliced with a few different influences to create something a little outside of the norm. Continue reading “Till the Dirt – Outside the Spiral (Review)”
This is the fourth album from Swedish metallers Orbit Culture.
Both 2020’s Nija and 2021’s Shaman made very good impressions, and now Orbit Culture are back with another 49 minutes of new material in the form of Descent. Continue reading “Orbit Culture – Descent (Review)”
Urne are a metal band from the UK and this is their second album.
Having loved Urne’s 2021 debut album Serpent & Spirit, it’s safe to assume that A Feast on Sorrow has been one of my most anticipated albums of 2023. I’m very pleased to say that it has not disappointed. Continue reading “Urne – A Feast on Sorrow (Review)”
This is the debut album from UK metal band Lokust.
Infidel is a 52-minute metal album that uses modern, groove, and thrash metal to produce a crushing assault that’s shockingly accomplished for a debut album. Despite the genre tags I’ve just thrown around though, Infidel might not be what you’re expecting. Continue reading “Lokust – Infidel (Review)”
This is the debut album from US metallic hardcore band End Reign.
The Way of All Flesh Is Decay is a 37-minute fist to the face that features current/ex-members of All out War, Exhumed, Integrity, Lock Up, Misery Index, Noisem, Pig Destroyer, and Scour unleashing sonic fury on the listener. Continue reading “End Reign – The Way of All Flesh Is Decay (Review)”
Onheil are a black/death metal band from the Netherlands and this is their third album.
Now, here’s an album I’ve very much been looking forward to. I thoroughly enjoyed 2014’s Storm Is Coming, even more so over time, and was immensely happy to see that a follow up is finally here. Back now with some lineup changes, and playing an infectious form of melodic black/death metal, with an influence from thrash and heavy metal, In Black Ashes finds Onheil revitalised, and ready to conquer. Continue reading “Onheil – In Black Ashes (Review)”
Forged in Black are a UK heavy metal band and this is their third album.
I thoroughly enjoyed 2019’s Descent of the Serpent, so it’s good to have some new material from Forged in Black. Across 42 minutes the band once again unleash a torrent of quality heavy metal on the world in the shape of Lightning in the Ashes. Continue reading “Forged in Black – Lightning in the Ashes (Review)”
Malauriu and Lykten are both black metal bands from Italy and this is their split.
Malauriu are first up, contributing three songs, lasting 10 minutes in total. Continue reading “Malauriu/Lykten – Split (Review)”
Boris & Uniform, the former an experimental doom/drone/metal/rock act from Japan, and the latter an industrial rock/metal band from the US, have teamed up together on this collaborative album.
I like Boris, and I like Uniform, so listening to this release was a given. Bright New Disease combines the two act’s talents into new and twisted ways, resulting in an album Continue reading “Boris & Uniform – Bright New Disease (Review)”
Wonderbox Metal 