Y-Incision open the split with 10 minutes of material – 6 songs, one of which is a Treasonist cover. Continue reading
How unexpected. If you’d have told me that in 2019 Exhumed’s newest album would be 26 minutes of gore-obsessed deathgrind, I’d certainly have been surprised. And I am. Maybe this is a reaction to the relative sophistication of Continue reading
Led by a member of Exhumed, and boasting an already enviable discography of Death-inspired delights, (Savage Land, Dimensions of Horror), Gruesome are back, continuing their remarkably detailed and authentic homage to the mighty Death. On Twisted Prayers they’re up to the Spiritual Healing period. Continue reading
Butcher ABC play a gruesome mix of death metal and grindcore, making for 39 ugly, sickening minutes of virulent gore metal. Continue reading
I’ve had a huge, (wet, mushy, bloody), soft spot for Exhumed from the first time I heard Gore Metal way back when it came out, and ever since I’ve been a fan. I mention this only because Death Revenge is being released almost 20 years after their legendary debut, but demonstrates a band that have probably never sounded better.
This is 35 minutes of unhinged medical mayhem. However, the band also know the virtue of restraint when necessary, as sometimes the applied force of a surgical strike is more effective than a chainsaw to the guts. Continue reading
Consisting of members of bands such as Exhumed and Repulsion, (presumably where the name Expulsion came from?), as well as Gruesome, Intronaut, Phobia, and Lightning Swords of Death, it’s safe to say that there’s a wealth of experience that’s gone into this release.
Gruesome are a supergroup of sorts, made up of members who have a large amount of extreme metal experience and count many different bands as their current and ex-projects, including Exhumed, Possessed and Malevolent Creation.
Comprised of members and ex-members from veteran groups such as Fear Factory, Aborted, System Divide and Malignancy, Gorepunch already have a lot of experience. Give ‘Em Hell makes the most of this and wastes no time in getting to the heart of the matter – blood, guts and blasting brutality. Remember, the quickest way to the heart is through the ribcage.
Their album has an interesting approach to Death Metal that takes some influence from Grindcore but largely adopts a split between Technical Death Metal and a state-of-the-art modern approach, resulting in an album that’s just at home slaying you with a direct approach or flaying you alive with an off-centre complicated attack. It’s a formula that results in a Modern Death Metal album with its putrid fingers in enough different pies to keep you happy and focused throughout the 26 minutes playing time.
The songs are like an enjoyable beating and feature good playing, pummelling riffs and savage vocals. The band use enough melodics to keep things engaging, but don’t allow them to go overboard and detract from the brutality.
A really engaging release that satisfies those cravings for a short, sharp blast of aural carnage that still has some substance to the barbarity.
This is a supergroup of sorts, featuring members of Exhumed, Possessed, Malevolent Creation and Derketa. Gruesome exist purely to pay homage to Old-School Floridian Death Metal, with specific reference to the early work of Death.
It’s clear from the very start that they have everything in place to achieve this.
The sound is an authentic Morrisound one, only polished up a bit and without actually being recorded there.
The music is straight out of the Old-School Death handbook, complete with galloping drums, sharp riffs and leads/solos aplenty.
Savage Land excels in the songs though; without good songs this album would fall flat as being rather pointless. Thankfully though, listening to all of those Death Metal albums from an early age has done wonders for the band and this is a really enjoyable album that almost seems to reanimate the corpse of Death, if only for a little while.
In fact the spirit of Death is felt strongly throughout these 36 minutes. It seems to be lurking wherever you look, the riffs, the drums, the solos, the vocals, the choruses, everything really; deeply infused into the songs.
In another band this might be seen as a bad thing, but in Gruesome it’s so honest, so pure, so well-realised that Savage Land just comes off as a triumph.
Turn the volume up and give this a listen. If you’ve ever been a fan of early Death then I defy you not to enjoy this.