Onward to Glory presents us with 30 minutes of roaring old-school death metal, brought to us by the vocalist and drummer of Psycroptic. This is no tech metal extravaganza though; Domination Campaign’s music is straightforward and burly, rolling in on brutal tank treads and destroying its targets with a combination of blunt heaviness and precision marksmanship. Continue reading “Domination Campaign – Onward to Glory (Review)”
A band containing members of Earth Crisis and Sect couldn’t fail to get my attention. Across 22 minutes, Tooth and Claw provide us with a raging version of old-school metallic hardcore that also occasionally flexes some death metal muscles with some of the guitars. Imagine a mix of Earth Crisis, Merauder, and Obituary, and you’ll be on the right lines. Continue reading “Tooth and Claw – Dream of Ascension (Review)”
Enforced unleash 41 minutes of crossover death/thrash on Kill Grid, and it’s utterly devastating.
Enforced play a brutal form of thrash that has an old-school heart wrapped in a modern delivery. Taking elements of Continue reading “Enforced – Kill Grid (Review)”
Prepare to be crushed! Both 2015’s Tierra y Libertad and 2017’s Diablo, Con Amor…Adios. did precisely this, and now Años en Infierno has arrived to do the same – crush. CRUSH!!!!! Continue reading “Xibalba – Años en Infierno (Review)”
On this brief EP, (13 minutes in length), we meet Dante’s Theory and their death metal/deathcore hybrid style. Continue reading “Dante’s Theory – Amut (Review)”
Heaviness, thy name is Time Walk.
Combining muscular hardcore from Continue reading “Time Walk – Beyond Eternity’s Grasp (Review)”
I liked 2015’s Tierra y Libertad, and on this new short EP, Xibalba continue the theme of merging death metal, hardcore and sludge metal influences together to create some monstrously heavy metallic music. Continue reading “Xibalba – Diablo, Con Amor… Adios. (Review)”
Tenth Amendment play modern Metal with groove and aggression. Back in the 90s when this kind of thing was just called either Metal or Hardcore rather than groove Metal or Metalcore, (usually due to how the band looked more than anything else), bands like Pantera, Fear Factory, Machine Head, Merauder, Skinlab and Pro-Pain we all staples of my CD collection, and Tenth Amendment very much remind me of that time.
Coming across as a combination of the aforementioned bands, we get song-based aggression with an industrial undercurrent that leans towards the heavier end of the spectrum. The album is very riff-based and there’s a purity of intent inherent in this kind of approach.
Their previous release Depths of Despair was an enjoyable, albeit brief, romp through all things heavy and modern, and Regression continues the theme but ups the stakes.
At a slightly longer 30 minutes in length, the band have further refined their blend of modern Metal and Metalcore/Hardcore/Death Metal influences into a potent blend of muscular aggression.
The singer has a harsh snarl that fits well with the music and doesn’t allow for any compromise. He plainly means business and I like what he’s selling.
The songs chug, rumble and bludgeon their way through the playing time and there’s a decent amount of catchy riffs and heavy melodies involved.
Although I liked Depths of Despair this is an all-round more cohesive, focused and superior release; perfect for when you want some heavy, crushing, upbeat, groove-based music. Without too much extremity, but also without going the other way into commercial, sanitised waters, Systemhouse33 have hit the right spot and Regression is actually a positive move forward.
For fans of Lamb of God, Meshuggah, Whitechapel, Skinlab, Machine Head, Testament, Merauder, etc.
This is heavy, brutal Death Metal that takes Hardcore and Sludge influences to make a monster of an album.
Imagine a Metalcore band that played Death Metal…yes I know that this implies Deathcore, but Xibalba are not a Deathcore band. Xibalba don’t have an easy to categorise sound. Deathcore should cover it, but no; this is a merger of 90’s Hardcore and 90’s Death Metal where Morbid Angel and Madball meet.
Classic Metal songwriting merges with Hardcore fury and Death Metal aggression. These songs really hit the spot for me as they take me back to the mid/late 90’s but translated to the modern day with a crushingly heavy production.
The band’s sound is Hellishly aggressive and recalls lost greats like Merauder and Konkhra if they got their hands on some Obituary and Crowbar riffs.
The vocals are predominantly harsh shouts that straddle the line between Hardcore and Metal, successfully merging the two styles into a vitriolic whole.
Xibalba have a meaty, beefy guitar tone that can squash a tank at 1000 metres. The punishing music perfectly captures the feeling of rolling demolition and hate-fuelled terror. Little snatches of melody appear merely to offset the heavy rhythms so that when these moments of light disappear again the riffs sound even louder and heavier than ever before.