This is the second album from UK progressive/power metal band All Seeing Eyes.
Following on from 2014’s Trinity Road and 2021’s Reinventing Time comes the new record from All Seeing Eyes – We Are the Revolution. It’s a 49-minute feast of progressive power metal from this very enjoyable band, so get ready to gorge yourself silly on their luscious flavours. Continue reading “All Seeing Eyes – We Are the Revolution (Review)”
Another year, another Damnation Festival. Has it really been 20 years? I went to the very first one waaaaay back in 2005, and a love affair was born. It has been great to watch it become one of the world’s best festivals. Kudos to the organisers for their continued passion and ability.
This edition is therefore the festival’s twentieth year and sees Damnation bigger and arguably better than ever before. It’s across two days now, and the lineup is strong in both depth and breadth. From veteran classics to newborn sensations, the festival has it all. Continue reading “Damnation Festival 2025 – BEC Arena, Manchester – 08/11/25-09/11/25 (Live Review)”
This is the seventh album from UK progressive metal/rock band Dawnwalker.
Dawnwalker are one of those rare bands that genuinely do attempt something different with each release. 2022’s murky, hallucinogenic House of Sand was a massive hit for me, and I loved it. 2024’s follow up The Unknowing was ultimately less to my taste, with its classic prog rock stylings, but still enjoyable nonetheless. So, with that in mind, what does The Between have to offer? Continue reading “Dawnwalker – The Between (Review)”
Drofnosura are a Canadian doom/sludge metal band and this is their second album.
Drofnosura’s Ritual of Split Tongues is a colossal beast of an album. It’s a 63-minute monster, primarily comprised of four epic-length songs, and presents as a mutated entity of mountainous shapeshifting intensity. Continue reading “Drofnosura – Ritual of Split Tongues (Review)”
This is the third album from UK sludge/post-metallers Conjurer.
Each Conjurer album so far has been a notable one. From their 2018 debut Mire, to 2022’s Páthos, the band have show an ability to craft quality heavy music, while also progressing their sound between releases. Unself contains 45 minutes of new music from this talented act, I have been very keen to hear it. So, what does it bring us? Continue reading “Conjurer – Unself (Review)”
Psychonaut are a Belgian post-metal band and this is their third album.
I first encountered Psychonaut on their 2021 split with Sâver, and I really liked what I heard. So, when Violate Consensus Reality came around a year later, I was hooked. With this firmly in mind, it’s with great anticipation that the 54 minutes of new material on World Maker is received. Continue reading “Psychonaut – World Maker (Review)”
This is the fourth album from Italian progressive doom/sludge metallers Void of Sleep.
It feels like an age has passed since 2020’s sterling record Metaphora, so it’s great that Void of Sleep grace us with their progressive doom/sludge metal once more. Containing 52 minutes of new material, The Abyss into Which We All Have to Stare is an album to spend some quality time with, unlocking its multitude of secrets. Continue reading “Void of Sleep – The Abyss into Which We All Have to Stare (Review)”
This is the third album from Swedish atmospheric death metal band An Abstract Illusion.
Now here’s a very highly anticipated album. The Sleeping City is An Abstract Illusion’s follow up to their highly acclaimed 2022 album Woe, which was so good it made it onto my year end list. Yes, expectations are high for this record, but there’s also trepidation too – how can An Abstract Illusion possibly meet the high standards they have now set for themselves? Continue reading “An Abstract Illusion – The Sleeping City (Review)”
This is the fifth album from Swiss post-hardcore/metal band Abraham.
Idsungwüssä is the 60-minute follow up to 2022’s Débris de Mondes Perdus. A mix of post-metal, hardcore, and sludge, Abraham’s new record is sure to find firm fans amongst devotees to bands like. Blessings, Coilguns, Converge, Cult of Luna, Inter Arma, Neurosis, The Ocean, Sumac, etc. Continue reading “Abraham – Idsungwüssä (Review)”
This is the eleventh album from Between the Buried and Me, a progressive metal band.
Every Between the Buried and Me release is An Important Event in my world. I’ve reviewed a handful, (Coma Ecliptic, Coma Ecliptic: Live, Automata I, Automata II), but nowhere their full discography. I’m very pleased to add one more to the pile now though, with The Blue Nowhere, which brings us 71 minutes of new material to obsess over. Continue reading “Between the Buried and Me – The Blue Nowhere (Review)”
