Zaraza – Spasms of Rebirth (Review)

ZarazaZaraza are a doom/sludge band from Ecuador. This is their third album.

Zaraza play experimental industrial-tinged doom/sludge metal. Slow, dreary, and utterly without hope. Continue reading

Advertisements

Barrabus – Barrabus (Review)

BarrabusThis is the debut album from UK electro rockers Barrabus.

Barrabus play an individual style of enhanced rock that sees their delivery sit somewhere between that of Faith No More, Rabies Caste, Every Time I Die, and Dead Kennedys. It’s a somewhat eclectic mix that actually comes together in a highly cohesive manner across the album. Continue reading

Nightslug – Loathe (Review)

NightslugNightslug are a German Sludge band and this is their second album.

Nightslug sound as their name suggests – ponderous and heavy. This is discordant, ugly Sludge that grips you by their hair and forces your face into the vomit. This, of course, is something you like. So eat it all up. Eat it now.

The songs have a good groovy swagger and the guitars steal the show with their cocky bravado and murky heaviness. The vocals shouldn’t be discounted, however, as they sound like the aural equivalent of an acid splash to the face.

The bass makes its presence felt like a steel girder that props everything up and works with the guitars to create a solid and crushing foundation for the songs to destroy everything around them.

Feedback, distortion and an overall dirty, grim aesthetic is par for the course with Sludge but Nightslug do it with style. They have a slightly unusual sound in their guitar tone and the way the vocals are mixed. It works exceedingly well though, and gives them a distinctive flavour. It reminds me of, (although sounds different from), the production of Rabies Caste’s début album Let the Soul Out and Cut the Vein, which also had an atypical sound. Like Rabies Caste though, they have taken the Sludge template as handed down by Eyehategod and made it firmly their own.

Also like Rabies Caste, Nightslug specialise in songs that are incredibly catchy and memorable. Certainly not in a radio-friendly way, of course, but these are riffs and tunes that stick in the head like an infected nail. It’s painful, but a twisted stroke of master workmen and the Sludge Gods should be proud of them.

I love a good Sludge band and Loathe will be firmly a part of my playlists for some time to come.

This is one you must check out.

Favourite Track: Vile Pigs. With a main riff that just won’t quit, this song is as catchy as Hell.

Wormwood – Wormwood (Review)

WormwoodThis is the début album of Wormwood who are a Sludge band from the US.

Wormwood play abraisive and caustic Sludge that eats away like acid and is every bit as disfiguring.

The songs aren’t long but they don’t need much exposure to be proven toxic.

Heavy and covered in contagious filth, Wormwood are like the bastard offspring of Today is the Day, Rabies Caste, Khanate and Eyehategod.

It’s ugly, crushing music that’s no good for your health and yet is strangely addictive regardless. The songs infect with their virulent strand of aural disease and you find yourself thinking of them when you least expect, usually when the night is in full swing and the negative thoughts are swirling. Wormwood is the soundtrack to hopelessness and woe.

The songs are surprisingly catchy and their relatively simplistic approach of groove-based, heavy Sludge is tried and tested yet by no means less effective because of it. Eyehategod may have originally wrote the book but bands like Wormwood keep adding pages.

Wormwood lack Eyehategod’s Southern tinge of course, and theirs is a sound that shares aspects of Today is the Day and Rabies Caste in particular, as mentioned above.

A warm, yet musty, analogue sound coats all of the songs like a soft, ripe, fleshy exterior. It sounds good.

At only 18 minutes in length this is a release that doesn’t outstay its welcome; one to definitely keep returning to.

Highly recommended.