This is the debut album from Norwegian stoner/sludge metal band Håndgemeng.
Ultraritual provides us with 42 minutes of stoner/sludge metal that has a hardcore edge. Taking a high energy approach to riff-focused heavy music, yet varied within this, Ultraritual is a melting pot of influences that come together well. Continue reading “Håndgemeng – Ultraritual (Review)”
This is the fifth album from US metal band Oozing Wound.
Following on from 2019’s High Anxiety, We Cater to Cowards contains 41 minutes of new material. However, this is not the same band we encountered on High Anxiety. Continue reading “Oozing Wound – We Cater to Cowards (Review)”
Gorycz are a Polish post-black metal band and this is their second album.
Gorycz feature members of Non Opus Dei, and Kamienie is a 37-minute exploration of non-standard music. Stirring together ingredients from black metal, post-rock, and sludge into a tasty post-black metal cocktail, Gorycz’s music is individual and Continue reading “Gorycz – Kamienie (Review)”
This is the fourth album from German blackened metal act Mantar.
This is the follow up to 2018’s The Modern Art of Setting Ablaze, (if you ignore the band’s cover album from 2020), and contains 41 minutes of new material. Pain Is Forever and This Is the End is the next logical evolution of Mantar’s sound, bringing a more direct song-focused approach to the music, while Continue reading “Mantar – Pain Is Forever and This Is the End (Review)”
Let’s cast our eyes over some of my favourite metal releases from August 2018… Continue reading “Monthly Overview – the Best of August 2018”
This is the third album from Mantar, a German black metal band.
I’m a latecomer to Mantar’s work, but I can tell you that if you’re looking for filthy, ugly blackened metallic punk that’s still catchy as fuck, then they stand head and shoulders above most of their peers. Continue reading “Mantar – The Modern Art of Setting Ablaze (Review)”
Wonderbox Metal 