This is the second album from Lithuanian doom metallers Hellhookah.
2015’s Endless Serpents was a good start to the Hellhookah tale, and now, five years later, we have the next chapter. The Curse gives us eight new tracks and 38 minutes of material to enjoy. Continue reading
This is the fourth album from Swiss doom metal band Wolf Counsel.
The promo blurb states that this album is for fans of Cathedral, Candlemass, Trouble, and Solitude Aeturnus, and that’s a fair assessment. Continue reading
This is the second album from Mothersloth, a Spanish stoner/doom metal band.
Has it really been almost three years since Mothersloth’s stellar debut album Moribund Star? Apparently so. Time moves fast, but at least we now have a new release from this talented band. Continue reading
This is the début album from UK Doom Metallers Desolate Pathway.
This is Traditional/Classic Doom Metal in the tradition of Candlemass, Black Sabbath, Saint Vitus, etc.
Desolate Pathway sound authentic and have the recording to match. This infuses the music with authority and power, not that the songs themselves are lacking in this department, mind.
The singer has a good voice and carries the tunes with ease. He has the requisite presence for this kind of music and he manages to remain the main focal point for the music without detracting from the rest of the band at all.
There’s an Iron Maiden-esque Heavy Metal influence which rears its head here and there too, which is no bad thing. The riffs, solos, melodies and harmonies are forlorn, but not overly so.
It’s an engaging listen as the band clearly know their chosen sub-genre. However, as with any classic style such as this, your tolerance for it will dictate your reaction to them. If you’re sated on this kind of thing you’ll probably not be too interested. If you’re still open to it though, Desolate Pathway play their tunes better than most and Valley of the King is a worthwhile listen.
So sit back, turn up the volume and press play. It’s time to visit the Valley of the King.
This is the second album by Bulgarian Doom Metal band Obsidian Sea.
70’s-style riffs flow out of the speakers with the ease of a player who was born to the style. The guitars on this release are catchy and even hummable in places. The songwriting in general backs this up and the album has a lot to offer people who enjoy song-based Traditional Metal.
The band have a lovely warm, meaty sound that may hark back to a decades-old style but does so with the benefit of modern technology.
The band flirt with some psychedelic elements but for the most part it’s Classic Heavy/Doom Metal all the way. Think Black Sabbath and the like and you’ll be on the right track.
The vocals rise out of the riffs smothered in reverberation and haunting cadence. They’re ably performed and really suit this genre of music.
Yes, there are a lot of bands playing this type of Metal, but Obsidian Sea have that ineffable something that differentiates them just enough to force you to take notice. I’m can’t fully put my finger on what it is, but I think it’s essentially just how well-delivered everything is here. The songs are just goooood.
If you’re a fan of Traditional Heavy/Doom Metal then Obsidain Sea are one of the more talented bands operating in its murky waters. Give them a listen.
