Chained to Oblivion has got some very tasty riffs on it. Oh yes. It’s a right old riff-fest, actually. The fact that these riffs combine to form songs that hit the mark with a lot of accuracy, is even better.
With a warm, heavy sound, these five tracks impress from the start, and seem to go from strength to Continue reading
Now this is an interesting release. The album cover might lead you to believe that Khemmis are a Traditional Doom Metal band, and although this is certainly a big part of their sound there’s also more going on here than that.
Khemmis combine Traditional Doom Metal with Sludge Metal. This is not a common thing to do and it works much better than you might think.
What does this mean in real terms? Well, it means the ancient Traditional Doom approach is melded together with a heavier, Sludgier sound that’s partially one and partially the other. Imagine a cross between 40 Watt Sun and a cleaner version of Primitive Man.
The vocals also display this duality of Doom purpose; dreamy, traditional clean vocals are occasionally supplemented with deeper growls that seem like they’re about to tear the Earth apart with their ferocity.
I love the way the band manage to take the clean Doom Metal sound, mix it with the dirty Sludge style and come up with a winning combination of the two. This is usually within the same song too. Southern-inspired riffs share space with heavenly cleans, (the singer has a top quality voice), before descending into the pit once more and the Deathgrowls rule the roost for a while.
This is an album that cries out for repeated spins, and repeated spins it gets. In addition to its obvious charms there’s a lot of hidden gold on Absolution.
Extremely highly recommended.
Trading in the type of Traditional Doom from the likes of Reverend Bizarre and 40 Watt Sun, they mix this blueprint with a bit of character and personality, Cathedral-style.
Cardinals Folly start the album off with a nice slow burner of a song Chant of Shadows before moving into Morbid Glory which introduces us proper to the band’s fuzzy, Old-School style.
Laid back vocals soar over the top of groovy drums and melodic guitar before settling into a nice riff; the theme may be familiar to Traditional Doom fans but the important thing is that Cardinals Folly know their stuff and the songs are enjoyable.
Sometimes the band hit upon a particularly hypnotic piece of dirge and I find myself staring into nothingness, just losing myself in the song and forgetting what I was doing.
Wait, what was I saying?
There is also somewhat of a Black Metal tinge to some of this. It’s probably not intentional, but the slightly scuzzy sound combined with some particular riffs…it’s just a shade of Black but it adds a nice feeling to the tracks when it shows.
This is an album to absorb as a whole; to let it seep and wash over you in waves of Doom.
At 51 minutes it is a decent length and every track is really enjoyable. Harking back to an older time of more traditional song structures and Doom inspired themes and feeling, yet with a powerful production and sound that makes it sound contemporary, without ever sounding too polished or stale. Funeral Circle have a sound which is alive and warm, wrapping their arms around you like a comfy blanket. Only it’s a comfy Doom Metal blanket, of course.
The songs are well-crafted and perfectly judged, never outstaying their welcome or straying into pedestrian areas. The musicianship is first-rate and does justice to the songwriting, bringing each track alive. With vocals that are powerful and inspiring, the singer perfectly fits the music with a great range and depth to his voice.
This is traditional-style Doom Metal played with conviction and power. Along with bands like Pallbearer and 40 Watt Sun this is exactly what this genre should sound like in 2013. Strong harmonies, excellent vocals and everything focused on the song. A win.