I’ve enjoyed following Everest Queen, from their initial self-titled EP in 2016 to their debut album Dead Eden in 2019, so to have a new album appear in the wild is a fine thing. Murmurations boasts 44 minutes of new music, so let’s get stuck in. Continue reading “Everest Queen – Murmurations (Review)”
Wow, what an unexpectedly rich source of great music January was. I honestly can’t remember a January that had so many metal releases that were this good. I’ve chosen five of the best below, and none of them are to be missed… Continue reading “Monthly Overview – the Best of January 2022”
Brought to us by the guitarist/vocalist of Warning, (along with an array of guests, including a member of Worm Ouroboros), Perfect Light contains 68 minutes of skilfully-crafted music that is simply stunning. Continue reading “40 Watt Sun – Perfect Light (Review)”
Although billed as an EP, and despite the fact that there’s only three tracks here, this is actually a 37-minute release – longer than some albums. This is the the band’s first release in 11 years, and I really hope they don’t leave it as long as that until the next one comes out, as this is exceptional. Continue reading “Akelei – Een Van Ons (Review)”
Consisting of a single track, Orage is a tentative, experimental first step into the world by this new project. Despite this, Orage is well-formed and shows a lot of promise. Continue reading “Le Menhir – Orage (Review)”
Notable for their first album Chained to Oblivion, Spirit Adrift has now transformed from a solo project into a full band and have already unleashed a new record on us. Continue reading “Spirit Adrift – Curse of Conception (Review)”
This is doom/sludge with drone and shoegaze elements, featuring members of Melvins and Mr. Bungle. Continue reading “Low Flying Hawks – Genkaku (Review)”
Chained to Oblivion has got some very tasty riffs on it. Oh yes. It’s a right old riff-fest, actually. The fact that these riffs combine to form songs that hit the mark with a lot of accuracy, is even better.
With a warm, heavy sound, these five tracks impress from the start, and seem to go from strength to Continue reading “Spirit Adrift – Chained to Oblivion (Review)”
Now this is an interesting release. The album cover might lead you to believe that Khemmis are a Traditional Doom Metal band, and although this is certainly a big part of their sound there’s also more going on here than that.
Khemmis combine Traditional Doom Metal with Sludge Metal. This is not a common thing to do and it works much better than you might think.
What does this mean in real terms? Well, it means the ancient Traditional Doom approach is melded together with a heavier, Sludgier sound that’s partially one and partially the other. Imagine a cross between 40 Watt Sun and a cleaner version of Primitive Man.
The vocals also display this duality of Doom purpose; dreamy, traditional clean vocals are occasionally supplemented with deeper growls that seem like they’re about to tear the Earth apart with their ferocity.
I love the way the band manage to take the clean Doom Metal sound, mix it with the dirty Sludge style and come up with a winning combination of the two. This is usually within the same song too. Southern-inspired riffs share space with heavenly cleans, (the singer has a top quality voice), before descending into the pit once more and the Deathgrowls rule the roost for a while.
This is an album that cries out for repeated spins, and repeated spins it gets. In addition to its obvious charms there’s a lot of hidden gold on Absolution.
Extremely highly recommended.
Trading in the type of Traditional Doom from the likes of Reverend Bizarre and 40 Watt Sun, they mix this blueprint with a bit of character and personality, Cathedral-style.
Cardinals Folly start the album off with a nice slow burner of a song Chant of Shadows before moving into Morbid Glory which introduces us proper to the band’s fuzzy, Old-School style.
Laid back vocals soar over the top of groovy drums and melodic guitar before settling into a nice riff; the theme may be familiar to Traditional Doom fans but the important thing is that Cardinals Folly know their stuff and the songs are enjoyable.
Sometimes the band hit upon a particularly hypnotic piece of dirge and I find myself staring into nothingness, just losing myself in the song and forgetting what I was doing.
Wait, what was I saying?
There is also somewhat of a Black Metal tinge to some of this. It’s probably not intentional, but the slightly scuzzy sound combined with some particular riffs…it’s just a shade of Black but it adds a nice feeling to the tracks when it shows.
This is an album to absorb as a whole; to let it seep and wash over you in waves of Doom.