This is the debut album from UK death metal band Strigoi.
Brought to us from the guitarist of Paradise Lost, rising out of the ashes of his Vallenfyre project, he’s joined on Srigoi by members of both bands, (one of which is also an ex-member of Extreme Noise Terror), giving us 44 minutes of engaging and individual death metal. Continue reading “Strigoi – Abandon All Faith (Review)”
Lord Mantis are from the US and play Blackened Sludge Metal. This is their fourth album.
2014’s Death Mask was a tortured nightmare of evil sludge, pretty much as foul as the style gets. Five years later the band have returned, infecting the world with 44 minutes of new material that’s as virulent and as nasty as ever. Continue reading “Lord Mantis – Universal Death Church (Review)”
This is the fourth album from Cloud Rat, a grindcore band from the US.
In my humble opinion Cloud Rat are one of the most forward-thinking, talented, and innovative grindcore bands out there, although simply labelling them grindcore is misleading and constricting, as their work frequently features so much more than your standard grindcore fare. Releases such as Qliphoth, and their various splits demonstrate this amply. Continue reading “Cloud Rat – Pollinator/Do Not Let Me Off the Cliff (Review)”
This is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.
I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading “Uniform & The Body – Everything That Dies Someday Comes Back (Review)”
Unprocessed are a German progressive metal band and this is their third album.
Artificial Void contains 58 minutes of technical wizardry and complex structures and fuses them into a modern progressive metal journey that’s a rather impressive achievement. Not the least of this is because the album takes a vibrant, fresh approach to what could easily be tired and stale in another band’s lesser hands, (and frequently is). Continue reading “Unprocessed – Artificial Void (Review)”
LINGUA IGNOTA is a one woman experimental artist, and this is her latest album.
Aided by a multitude of guests, (including members of The Body and Full of Hell), this is 66 minutes of beauty and brutality. This is an album that fits in no real category other than a loose experimental one. Peppered with noise, avant-garde, industrial, and post-doom/rock influences, this is music that largely belongs to the artist alone and defies easy categorisation. Continue reading “LINGUA IGNOTA – CALIGULA (Review)”
This is the latest album from US drone/noise band Clawing
I like Clawing. I mean, in the way that I like getting my eyes scratched out. This is a deeply unpleasant band producing deeply unpleasant music. As I’m sure I’ve stated previously, this is not normally my kind of thing. Noise/drone Continue reading “Clawing – Labour (Review)”
This is the third album from Entropia, a Polish experimental/post-black metal band.
I am extremely fond of Entropia. Both Vesper and Ufonaut have had much rotation on my playlists, so when I saw they had a new album released I was quite excited. Continue reading “Entropia – Vacuum (Review)”
This is the fifth album from US post-metal band A Storm of Light.
Here we have 51 minutes of music that mixes metal, post-metal, punk, doom, quasi-industrial, and progressive metal. That’s right, it’s quite a mix, but the band pull it off remarkably well. Continue reading “A Storm of Light – Anthroscene (Review)”
Anaal Nathrakh are a UK black metal band and this is their tenth album.
Ever since their early days Anaal Nathrakh have carved out a unique identity for themselves in the extreme metal landscape. Albums like Desideratum and The Whole of the Law both showcased well the Continue reading “Anaal Nathrakh – A New Kind of Horror (Review)”
Wonderbox Metal 