Abhorrent Deformity deal in brutal death metal. The follow up to 2015’s Entity of Malevolence, Slaughter Monolith continues its bloody, violent rampage through the death metal suburbs, taking no prisoners and sparing no civilians. Continue reading
Here we have 18 tracks of brutal deathgrind; 34 minutes of savage, nasty extremity. Continue reading
Although I’ve seen Ingested live, this is my first encounter with their recorded material. They sound pretty much exactly like I thought they would, and I mean that in a very good way. I enjoyed them live, and The Level Above Human manages to capture the massive sound of the band’s performance with crushing precision. Continue reading
Atomgott mix together brutal/slamming death metal and deathcore to give us 29 minutes of huge riffs and heavy aggression.
The band are focused on providing the listener with a combination of speed and groove, both of which they do very effectively. Although there’s elements of the more modern deathcore/slam styles, there’s a good chunk of USDM in here too, recalling Continue reading
Here we have 32 minutes of Brutal Death Metal with a decent amount of groove and blast. Influences from the Slam style work their way into the mix here and there, but for the most part this is all about the tried-and-tested method of Brutal Death Metal carnage.
For some reason, the band name and album cover led me to believe that this was going to be a more primitive Grind-influenced offering than it actually is. I was wrong though and Mind of a Serial Killer is a very professional and polished collection of butcher’s songs; the album features a strong recording where everything is solid, thick and precise.
Blasting drums, heavy grooves and huge breakdowns provide plenty of meat to chew on. The riffs are ever-present and the band know how to play, whether they’re going full-speed ahead or slowing it down a notch to crush the listener with churning grooves. Whatever they’re doing, the songs are well-played, with everything sounding tight and focused.
The singer has a pretty gruesome near-pignoise growl that is perfectly executed for this style of carnage. No marks lost for his performance.
Sometimes you want ostentatious and flashy music, or something more experimental and unique to listen to. At other times, however, only Brutal Death Metal will do. For times like that, you have this.
Making a strong opening statement of intent with their album cover, Carnivorous Voracity proceed to deliver almost exactly what you might expect over these 36 minutes.
It’s very hard for me to dislike Death Metal like this. It’s savage and nasty, but with enough songwriting savvy to make sure that the music doesn’t become too one-dimensional. This is an important point, as a lot of bands of this ilk are essentially one-trick ponies, no matter how enjoyable.
With The impious Doctrine the band have ensured that there are enough elements of a few different types of ugly brutality included to keep things fresh and interesting. Brutal Death Metal forms the core of the release, but there’s sprinklings of Classic, Modern, Slam and Technical Death Metal thrown into the blender. It all makes for a very satisfying album.
The songs hit the mark, they really do. Although not a band who are primarily about hooks and catchiness, there’s a surprising amount of good hooks on here regardless, and overall this is a very strong album.
The recording is solid and everything sounds slick and professional. The blasting drums and face-smashing riffs are in-your-face, tight and focused.
The vocalist veers between lethal growls and ugly pigsqueals; being very proficient in both he never puts a foot wrong in his delivery.
Yes, this is a very, very nice release. TIME FOR FULL VOLUME CARNAGE!
This is modern Sci-fi themed Death Metal with enough brutality to leave you bruised.
The band are rhythmically aggressive and technically devastating. Their fury is unrestrained and each track sounds like it’s going straight for the jugular to rip it out and replace it with complex cybernetics.
There’s a healthy Slam component to their sound only this is not quite as blatant as some purveyors of the style. It’s a strong influence nonetheless but it’s tempered by the sheer brutality of the band. It’s not just heavy groove; there’s some serious blasting and grinding going on here.
Add to this the rather more interesting and inventive touches to the music; odd moments of technicality and Industrial Sci-fi influences and this is more than just “another Slam band”.
The sound is heavy, thick and serpentine like a robotic snake, twisting and coiling around its victims before tightening slowly. 0.00 Apocalypse sounds immense and it’s the perfect aural vehicle for their inventive brand of mayhem.
The vocals are guttural nightmares drawn from the bowels of a festering pit of dying servitors. Enough said.
This is a truly extreme work of Brutal Death Metal cyber-art and the songs on this album need to be heard, preferably at ear-bleeding noise levels.
If you’ve a taste for cutting edge brutality then this is a must.
Torn the Fuck Apart combine Brutal Slamming Death Metal with Technical Death Metal to sound like the bastard offspring of Dying Fetus and Cannibal Corpse.
Heavy riffs collide with widdly guitar leads to create that Dying Fetus-style mix of brutality and technicality that works so well for them. Torn the Fuck Apart then add into the mix a bit more Cannibal Corpse influenced riffs a well as elements from the Slam school of thought.
The songs are good, with heavy riffs flying around and leads slicing through the chaos like knives. There’s plenty to get caught up in and the double bass and blast beats flow freely.
The vocalist uses very deep, guttural growls; his is a very good voice for this kind of music.
Musically the album has a maturity that belies the image you might get of the band from their songtitles, etc. This is advanced-level Death Metal with lots to keep the listener hooked as the band bash you around the head with their aural assault.
Have a listen and I’m sure you’ll get drawn into their technically brutal world.