Featuring a guitarist of Full of Hell, this is 25 minutes of stocky heaviness and charismatic hostility. Elements of hardcore, punk, sludge, and noise rock collide on Tub of Lard, leading to an enjoyable take on heavy music. Reference points for Continue reading
Escape Is Not Freedom are no strangers to this site, (here and here), and it’s great to hear some new material from them. Combining elements of metal, sludge, rock, and noise, Escape Is Not Freedom remind me of a cross between Fudge Tunnel, Helmet, Nirvana, Skyscraper, and others. Continue reading
This is the second album Greek post-hardcore/sludge band Chronoboros.
Having enjoyed both Dialing up the Cutter and No Dirt or Silver Will Have Us Sated, we now turn to the latest Chronoboros release, which finds the band in good form as they plough through 35 minutes of angular, unorthodox material. Continue reading
Although a one-man project, the artist behind this band is joined by various guests across the release, (including one who brings a saxophone to the party). Continue reading
2015’s Dialing up the Clutter was an enjoyable, if brief, introduction to Chronoboros’ jagged, angular sound, and now they’re back with their first full length; 34 minutes of harsh noise and deliberate contrariness. Continue reading
Rig Time! are all about the heaviness. Their second album has 25 minutes of it, all punishing beats and grinding groove. Continue reading
This is nasty stuff. Starting with a harsh feedback-squeal and followed by some dirty bass, Moros start as they mean to go on and establish themselves early as playing the kind of abrasive, nasty music that any lover of Sludge can get on board with.
The vocals are high-pitched and laced with poison, seemingly able to cut flesh with ease just by sound alone.
There are some choice riffs on this release and their bass-heavy sound is an instant hit with a bass-lover like me. Their percussive know-how is enhanced by the vocal attack of their singer so that everything works together to create tracks that really, really hit the mark.
The music takes the template as laid down by Eyehategod, infuses it with the dynamic musical know-how of a band like Fudge Tunnel, adds the bass-led stomp of bands like Palehorse and Ghold, and liberally sprinkles the passion and filth of bands like Charger and Burning Witch into the mix. The result? Passionate, ugly Sludge Metal that sits well in the genre and is highly enjoyable. If you like getting your ears cleaned out with acid, that is.
Loved it. Moros get a big thumbs up.