Combining rumbling industrialised dub beats with heavy guitars and no small amount of emotive beauty, the latest Godflesh release is a rusting cyborg constructed from so many clashing parts of pieces that in any other band’s hands it probably wouldn’t work. Godflesh, of course, know exactly what they’re doing. Continue reading
Zaraza play experimental industrial-tinged doom/sludge metal. Slow, dreary, and utterly without hope. Continue reading
Il Nuovo Mare is the follow up to the band’s 2013 debut Dopo l’Apnea. This was a release that established Buioingola as a band that were travelling their own way, and a release that firmly stuck in my mind as one of the more memorable ones of that year. Continue reading
Mixing doom, drone, shoegaze and industrial elements into its near-hour long playing time, After Humanity is a reflective and atmospheric work that’s not afraid to put the boot in when it needs to.
The songs on this release gain traction in the mind of the listener the more they are experienced, and are a combination of emotive, subtle affairs, with harsher industrial-edged themes. Continue reading
From the blurb – “An EP about anxiety, depression and crippling, petty envy.” So now you know. Continue reading
Kontagion play industrial-tinged cybermetal, taking influence from the earlier of strains of the Fear Factory virus, and morphing itself into an altogether darker and more feral breed via some early Slipknot/Mushroomhead influences and a touch of Godflesh, (of which there’s a cover version here of Crush My Soul).
This really does have a late 90s/early 00s feel Continue reading
This is a slow-burning, gradual-destruction kind of album, where the tracks move inexorably towards their ultimate conclusion. The nihilistic atmosphere builds as the songs do.
The mood radiated by each track is the kind where you just need to fall into a bit of a semi-trance-like state and soak up the vibes of the album. Long distance journeys or getting a large tattoo; something you can almost zone-out to.
The onwards martial march of the songs is an almost-unbearable constant. Initially when listening to this I wasn’t too impressed, but slowly the relentless driving force that powers this 61 minute album gets under the skin and worms its way into your brain. If you give it the time to saturate your senses then Post Apocalyptical Downfall has lots to offer; this is not an instant album and not one for light listening.
I would prefer a slightly more even sound, with a bit more emphasis given to the clarity of the guitars, but it’s not a deal-breaker.
If you’re in a particular kind of mood then this is a really good album. With a few tweaks to the sound the next one could be great.