This is the fifth album from Finland’s black metallers Oranssi Pazuzu.
This is the follow up to 2016’s well-received Värähtelijä, which is a record that has only increased in my estimation over time. Now, across 50 minutes of multifaceted and highly textured music, Mestarin Kynsi is an album that I have little doubt in my mind will keep on giving for years to come as well. Continue reading →
This is the second album from Azusa, an international progressive metal band.
Featuring current and ex-members of bands such as John Frum, The Dillinger Escape Plan, and Extol, you know there’s a lot of talent and experience in Azusa before you even listen to them. Continue reading →
Paul Catten is a prolific UK extreme metal artist and this is his latest album.
We’ve met Paul Catten before, (here, here and here), and you never know what you’re going to get from the man. His latest release is far more accessible and pop-influenced than I was expecting, and it Continue reading →
Sightless Pit are an experimental band from the US and this is their debut album.
This project brings together the considerable talents of members of Full of Hell, LINGUA IGNOTA, and The Body. Grave of a Dog sounds like a hideous amalgamation of these three parent groups, while also being its own monstrous creation too. Continue reading →
This is the fourth album from Abstruse, an experimental rock project from Greece.
Well, there’s a lot going on here. This is music that refuses to be just one thing, and exists as a constantly-shifting mass of musical styles and content. Amazingly, Submerge:Ritual works with this well, and doesn’t come across as disjointed or a failed science experiment. Continue reading →
This is the fourth album from Cloud Rat, a grindcore band from the US.
In my humble opinion Cloud Rat are one of the most forward-thinking, talented, and innovative grindcore bands out there, although simply labelling them grindcore is misleading and constricting, as their work frequently features so much more than your standard grindcore fare. Releases such as Qliphoth, and their varioussplits demonstrate this amply. Continue reading →
Culted are an international blackened doom band and this is their latest EP.
I really enjoyed 2014’s Oblique to All Paths, and have been waiting for a new Culted release ever since. Well, now it’s here in the shape of this 27-minute EP. Boasting three tracks, Vespertina Synaxis: A Prayer for Union & Emptiness is a sinister exploration of Culted’s world. Continue reading →