Endon are a Japanese experimental post-hardcore band and this is their third album.
Holy crap, what the Hell is this? I looove it when you stumble blindly upon something as unexpectedly individual as this, especially when it’s done so well. Done poorly, this would be unlistenable nonsense, (and I’m sure there are some that would regard this as such), but Endon have a talent, it seems, for producing unusual, non-easy Continue reading →
Behemoth are a veteran Polish blackened death metal band and this is their eleventh album.
Containing the by-now core of the Behemoth sound, but expanding on this in various ways across different tracks, this new album is a very strong addition to the band’s discography, one which I’m sure with rightly garner much praise. Continue reading →
Skullcave are a progressive doom band from Australia and this is their debut album.
I was drawn to this album by the enigmatic album cover, and then reeled in by the description of the music – “an ambitious, qualitative blend of thick doom, dreamy instrumentals and layered vocals.” Continue reading →
KEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.
Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading →