The Machine Has Failed contains 37 minutes of hard rocking stoner rock fun. Tailor-made for fans of bands like Clutch, Corrosion of Conformity, and Orange Goblin, the album has riffs, hooks, and good tunes aplenty. Continue reading “Slowtorch – The Machine Has Failed (Review)”
Here we have 21 minutes of enjoyable stoner fuzz. It’s charismatic and direct, while still boasting a decent amount of depth and atmosphere. Continue reading “Ghozer – Ghozer (Review)”
Fat riffs and heavy groove. If this sounds like your thing, then make sure that you check out King Bison’s music. Continue reading “King Bison – Snake Head Burial (Review)”
This is Southern-styled stoner/hard rock that should appeal to fans of bands such as Clutch, Red Fang, Mastodon, and the like. Continue reading “Hogan’s Goat – Hogan’s Goat (Review)”
Extinguish the Sun describe their music with reference to bands such as Mastodon, Clutch, Corrosion of Conformity, and Every Time I Die, and I have to say that sets the scene for their music pretty well. Continue reading “Extinguish the Sun – Antihero (Review)”
With a heady whiff of stoner, Clutch and Black Sabbath-esque vibes, Telekinetic Yeti deliver over 40 minutes of psychedelic doom rock/metal for the listener’s delectation. Add in some Red Fang and Mastodon and you have a very full album. Continue reading “Telekinetic Yeti – Abominable (Review)”
Here we have an earthy, gritty band that trade in stoner riffs with some nice doom and blues elements.
The guitars are Continue reading “Earth Witch – Out of the Shallow (Review)”
With a colossal and crushing sound, Neckbreaker holds nothing back. The album is aptly named, let’s just say that.
Living in the same hinterland between styles that is inhabited by bands such as Ilsa, Serpent Eater, Northless, Colombian Necktie and the like, Monster Coyote play heavy, nasty music that’s too upbeat to be Doom, too gnarly to be pure Metal, and too rocking to be Death Metal. It’s somewhat how you might imagine Mastodon would sound if they had fallen in love with heavier, nastier music after their first release, or maybe Clutch if they developed a love of Sludge Metal.
The singer has a formidable roar that doesn’t let up. His caustic, gruff tones are a joy to listen to as the music rumbles and chugs its way through the 40 minutes of playing time.
The music is all about the crushing riffs and relentlessly aggressive heaviness. What separates them from some of their peers though is that instead of fusing this with Doom or Hardcore, they instead choose to fuse it with a Stoner Rock sensibility that means these tracks are all endowed with high energy and furious vitality.
The band know their stuff when it comes to playing and some of the longer tracks give them ample opportunity to develop their art. The drums in particular are a really satisfying listen, all rolls and pounding beats.
Emotive without being weak and strong without being brutish, Neckbreaker is the perfect recommendation for anyone into heavy, aggressive music that knows how to rock the fuck out.
Boasting the kind of album cover that you could lose hours staring at, Greenleaf return with 44 minutes of retro-themed Stoner Rock that’s as easy-going and as compelling as ever.
With a warm, well-rounded sound, Rise Above the Meadow is a very easy album to get along with. The band’s personalities seem to seep from every note and the songs effortlessly send out emotive vibes in a retro-friendly fashion that’s sure to light up many a classic Rock-fan’s eyes.
The singer’s anthemic, charismatic voice resonates with relaxed power and presence, complementing the analogue warmth of the music. Hearty melodies and hummable tunes are in abundance and the band really don’t sound like they’re native to 2016 in many ways.
There are so many good riffs on this album and the band are in no short supply of melodies and evocative catchy sections either.
This is good stuff. For someone who mainly listens to much more extreme music, I sometimes have to be in the mood for this kind of release. However, like a lot of things, when you press play and let the music comfortably roll out of the speakers, it’s all very nice indeed.
Somewhere between The Sword, Clutch, Rival Sons, and even The Beatles in places.
The EP boasts a strong, crisp sound that gives the band the space and presence to make their mark.
Electric Hellride play a combination of older Thrash and Modern Metal; sort of a modern Thrash Metal but without being infected with the American template of Metalcore/breakdowns/At The Gates-isms/etc.
Instead this treads its own path; paying fealty to the Thrash Metal pantheon with some catchy choruses, (no clean vocals), while stamping their own identity on the more modern aspects of their sound.
The vocals are very interesting. Initally seemingly buried under the Thrash onslaught of the first song Master Inferno, it’s on second track Higher Profanity that they come into their own. They’re almost a kind of Stoner/Thrash hybrid, almost as if someone has appropriated the singer of a more contemporary band, (Clutch?/Godhunter?), and forced him to front Kreator. This is merely an extension of the music however, where you have elements of older and newer bands rubbing shoulders, without any form of detriment to either.
This melding of styles into a seamless whole lends a timeless element to the whole thing. I could imagine listening to this if it had come out in the 90s or the 00’s, never mind 2014.
Come Darkness, Come Light is an exceptional EP from a very talented and relatively individualistic band. I suggest listening to this and giving them your wholehearted support.