Lord Almighty play a modern brand of progressive black metal that incorporates elements of blackened thrash, sludge, crust, and rock into its vibrant embrace. The press blurb invokes bands such as Darkthrone, Kvelertak, Thin Lizzy, Mastodon, Continue reading
Angry, Crust-fuelled Black Metal with a modern Rocking aspect and plenty of attitude; Sågverk make this kind of music look easy, but also offer up something a bit different.
There are 8 tracks of Blackened belligerence and groove here, comprising 7 originals and a Metallica cover of Motorbreath.
Buzzsaw riffs and brutal guitars power the songs, but there’s a lot more control here than I was expecting to hear. The tracks are written with more than just Black Metal in mind – as well as the Punk/Crust there’s a bit of a Stoner vibe to some of the riffs, making Sahataan ne Kaikki a bit different from the norm.
The songs are well-written and make use of a strong riff-oriented approach. This is not a release that’s top-speed all of the time, but nonetheless maintains a high energy throughout.
The vocals are shouted screams that vary in tone and delivery a fair deal. Cleans are also used sparingly but it’s mainly all about the shouting. The singer plays his part well and gives a good performance.
The band have a very clean and clear sound; again, a bit different form the norm as this kind of Crusty, Blackened assault is usually a lot dirtier in delivery. It works though and allows the Rockier aspects to their style to come to the fore.
This is a really interesting release that smashes my preconceptions about what Black ‘n’ Roll can sound like. If you imagine a Black Metal/Crust/Punk hybrid, the likes of which we see relatively often, then make their sound cleaner and add in a combination of Kvelertak with a bit of (old) Mastodon to the riffs then Sågverk will be the end result.
Enjoyable and different, Sahataan ne Kaikki is a really good listen.
Elddop has a heavy sound with the music sounding organic and lively; a well-produced rawness, if you will.
The band are quite melodic with their riffing. Typically the rhythm guitar lays down a firm, heavy foundation whilst the lead guitar adds colour and flavour over the top. Some of the riffs are quite inventive and the band gives a passionate performance.
The music is of the d-beat Crust variety but is not purely limited to this. The drums power the songs as the guitars make their melodic massacres. This style of music has its roots in the past in bands like Discharge, but a more modern point of reference would be Kvelertak I suppose.
Vocally we have savage shouts that sound hoarse and desperately urgent. It’s as if the singer can’t quite wait to blurt out what his message is, but he feels so disgusted by whatever he’s talking about that he can’t help but just shout it at the top of his lungs. It all adds a refreshing energy to the tracks. Thinking about it, he reminds me of the singer of At The Gates/Lock Up/etc., only deeper and a bit harsher.
Occupying that rarest of spaces where harshness and melodics meet, Martyrdöd have produced an enjoyable album that takes the Crust template, adds a little bit of Metal to it and then vomits vitriol and poisonous invective over everything.
Listen loud and let Martyrdöd shake your world.