Ὁπλίτης (Hoplites) – Παραμαινομένη (Review)

Ὁπλίτης (Hoplites) - ΠαραμαινομένηThis is the fourth album from Ὁπλίτης, (otherwise known as Hoplites), a solo post-black metal band from China.

So, it was January 2023, and out of nowhere Ὁπλίτης appeared into my life with the devastating Ψευδομένη; a uniquely brutal record that introduced me to the atypical blackened world of this enigmatic entity. This, rather unexpectedly, was quickly followed up by the equally destructive Τρωθησομένη and then Ἀντιτιμωρουμένη. This punishing rate of releases Continue reading “Ὁπλίτης (Hoplites) – Παραμαινομένη (Review)”

Wonderbox Metal End of Year List – Best Metal of 2023

Welcome to my annual attempt to make sense of the ridiculous amount of good metal albums out there, awaiting discovery by intrepid metal explorers.

2023’s best of list has been one of the more difficult ones to put together, placing-wise, which is one of the reasons that I’m posting it later than I usually do. Even more so than normal many of the slots are interchangeable, and I especially struggled with positions two-nine – if such a thing were possible, they all deserve to be higher! In the end I decided to stop overthinking it and go with my gut, but the usual caveat of these lists being very subjective and subject to change depending on mood, feelings, etc. is larger than normal here.

There are some notable acts missing form the below. Not because they’re not worthy of inclusion, but because there are only so many spaces to be had. In fact, I almost ended up limiting this list to 20, rather than the now-customary 30, as I found it really difficult to know who to include and who not to. In the end I went with the standard 30 so that I could promote a few extra bands, as they absolutely all deserve it.

As for the top position, I wasn’t expecting it to be filled by a band I’d never heard before, playing a style that I don’t listen to as much as I used to. However, I suppose after last year, I shouldn’t have been too surprised.

I do hope you enjoy this list and find some new music to obsess over. Like always, thanks for your support if you have ever visited this site before, and here’s to a great 2024 for as many of us as possible. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2023”

Underdark – Managed Decline (Review)

Underdark - Managed DeclineUnderdark are a post-black metal band from the UK and this is their second album.

Following on from 2021’s Our Bodies Burned Bright on Re-Entry, Underdark have now returned with the 41-minute Managed Decline. Continue reading “Underdark – Managed Decline (Review)”

Heretoir – Nightsphere (Review)

Heretoir - NightsphereHeretoir are a post-black metal band from Germany and this is their third album.

Nightsphere contains 42 minutes of atmospheric post-black metal. Heretoir have an emotive, textured delivery, and across this album they seriously impress. Continue reading “Heretoir – Nightsphere (Review)”

Damnation Festival 2023 – BEC Arena, Manchester, 04/11/23 (Live Review)

Damnation Festiva 2023 - PosterIt’s Damnation o-clock once more! This is always such a good festival to attend. The line up is an interesting and varied one, with some bands I’m less interested in, some that are an essential experience, and some frustrating clashes. I missed some great bands today, unfortunately, but that’s always going to be the case with such a jam-packed festival. Continue reading “Damnation Festival 2023 – BEC Arena, Manchester, 04/11/23 (Live Review)”

Pénitence Onirique – Nature Morte (Review)

Pénitence Onirique - Nature MorteThis is the third album from French black metallers Pénitence Onirique.

Following on from 2016’s V.I.T.R.I.O.L. and 2019’s Vestige comes Nature Morte; 46 minutes of glorious celestial violence and deep immersive feeling. Oh my, this is a good one. Continue reading “Pénitence Onirique – Nature Morte (Review)”

Laster – Andermans Mijne (Review)

Laster - Andermans MijneLaster are a, (sort of), black metal band from the Netherlands and this is their fourth album.

It’s been a while since I’ve caught up with Laster. 2017’s Ons Vrije Fatum, to be precise, (with 2014’s De Verste Verte Is Hier and their 2016 split with Wederganger before that). Since then they’ve had another album, (and an EP), that I haven’t heard, but that apparently saw an increase in the avant-garde and experimental aspects of their sound. So what does Andermans Mijne present us with? Continue reading “Laster – Andermans Mijne (Review)”

The Negative Bias – The Seven Seals of Saligia (Review)

The Negative Bias - The Seven Seals of SaligiaThis is the third album from Austrian black metallers The Negative Bias.

I’ve never encountered a full album by The Negative Bias before, but I really enjoyed their 2018 split with Golden Dawn and 2021 EP Tapeworm Pyramids,  so I jumped on the chance to explore The Seven Seals of Saligia. Continue reading “The Negative Bias – The Seven Seals of Saligia (Review)”

Ashbringer – We Came Here to Grieve (Review)

Ashbringer - We Came Here to GrieveThis is the fourth album from US post-black metal band Ashbringer.

This is the follow up to 2019’s well-received Absolution, We Came Here to Grieve brings us 44 minutes of new music. On this new record Ashbringer continue to evolve their sound, pushing the envelope further, with a multifaceted mix of experimental black metal sounds. Although having said that, there’s less direct black metal on this album, for sure. Continue reading “Ashbringer – We Came Here to Grieve (Review)”

Ushangvagush – Pestmo’qon (Review)

Ushangvagush - Pestmo'qonThis is the second album from US solo black metal band Ushangvagush.

Ushangvagush is an indigenous black metal project that channels a range of influences into a single 46-minute song, (chopped into two tracks for physical media). It’s an album of depth and substance, one that’s richly rewarding for those initiated in the ways of underground black metal. Continue reading “Ushangvagush – Pestmo’qon (Review)”