They say you should never judge a record by its cover, (do they say that?), but it was the album cover of The Cauldron and the Cross that made me want to listen to it more than anything else. Continue reading
Here we have 20 minutes of metalcore/groove metal, with a healthy amount of aggression. Continue reading
Dragonforce are back doing what they do best – fast, bright, insanely well-played and intricate power metal. Yep, fans of the band should pretty much know what to expect at this stage in the game. Continue reading
This is the first EP from this new band, although as there’s over 30 minutes of material here, it’s actually longer than some albums. Continue reading
Burning Shadows made a lasting impression on me with their 2012 release Gather, Darkness!, which demonstrated a band that had a strong sound, good tunes, and a very capable singer; all essential components for power metal success. Continue reading
Continuing on with their style of combining traditional doom metal with sludge metal, the songs on Hunted are a tad longer, allowing the band more room to explore and expand on their core style.
The singer puts in a sterling performance once more. Continue reading
Gottweist’s music is somewhere between the classic Iron Maiden-influenced Metal style and a more modern one, as played by bands like Killswitch Engage, Bullet for My Valentine, As I Lay Dying, Atreyu and the like. The balance is weighted towards the latter, but the former has enough of a presence to give Future Is in Our Hands more impact than is normal for a band like this.
The album features a bright sparkly sound that might not be quite as polished as those aforementioned groups, but still works in concert with the songs themselves to present a band who clearly have a passion and energy for what they do.
The singer’s voice is melodic and smooth, backed by the odd shout or harsher vocal. The Heavy Metal influence counteracts the more modern Metalcore one in various ways, one of the more notable being the fact that the harsh vocals are very much in the minority here, whereas normally it’s the other way around, with cleans usually being restricted to radio-friendly choruses. Gottweist go the other, less-usual route; the majority of the vocals on this release are sung, and when harsher ones do appear they typically back up the cleans on the choruses.
Leads and solos are used well, adding much to the hearty songs and catchy melodies. Indeed, there’s so much enthusiasm here that it’s hard to feel jaded and dislike what the band are doing, (unless you’re just not into this kind of thing, of course).
All of the above results in an enjoyable and slightly different take on the more commercial side of melodic Metal/Metalcore. I have enjoyed their slightly-atypical spin on the modern Metalcore sound; with the traditional Heavy Metal aspects of their delivery lending a bit more depth and longevity to the music than is typical for a band of this ilk.
Given the right backing and exposure, as well as a bigger production and a slightly more adventurous songwriting outlook, Future Is in Our Hands might actually be potentially quite prophetic for their next album.
Check this out.
Wow, okay, so here we have a bit of everything from Death to Nevermore to Iron Maiden. The band play technical and involving music that’s as varied as the influences suggest, all within the overarching template of Heavy Metal.
At 58 minutes in length, and touching on a wide-range of Heavy Metal bases, there’s a lot going on here.
It’s clear that the band are Hellishly talented and have grand ambitions for their art. Frequent musical sidesteps are taken so that you never quite know what’s just around the corner. Some of the playing on this release is jaw-dropping.
Full of grand melodies and even grander ambition, The Ascetic Paradox is a wild ride through various corners of Heavy Metal’s map, paying tribute to the greats while also spinning the threads of the Metal fates to their own ends.
The vocals are equally as varied, taking in everything from shouts, slithering screams, cleans to air-raid siren howls.
The production is a little uneven in places – I could do with the guitars feeling a little fuller and larger, but it doesn’t spoil the songs, just doesn’t let them reach their full potential I feel.
This is very impressive, but I feel would benefit from being re-recorded and tightened up in a few places. Don’t let this put you off though as Stigmata have produced an album that wins more than it doesn’t.
A flawed masterpiece.
This is an album that embraces what True Heavy Metal is all about; attitude, passion, songcraft and pure, molten delivery.
The singer has a very good voice that carries weight and authority with it, as well as being able to bang out decent harmonies and memorable melodies.
The music is Classic Heavy Metal, frequently stretched out to epic proportions across these 5 songs. The classic Metal flavour is added to by some more modern influences too; for example, if you take a band like Iron Maiden as a good starting point for comparison, Blackhour take influence from a wide swathe of Iron Maiden’s work, both old and new. This isn’t the only band they can be compared to though, as they’re certainly not Iron Maiden rip-offs. There’s more going on here than just that.
These are well-written songs that are played by people who know their way around their instruments intimately. Importantly though it’s the songs that matter and the band have a good grasp of what makes a decent Heavy Metal tune. The involving riffs and dynamic pacing of the songs work with the singer’s impressive vocals to create songs that stick in the mind long after the last chord has faded.
And there’s solos. Lots of them.
Quality stuff, and very enjoyable. Check this out and show your support.