There’s only four songs on this album, but with a total duration of 77 minutes, Acid Doom Rites is a whopper. Continue reading
I really liked Lucifer’s Fall’s début album; it was a definite grower. I was looking forward to listening to this new EP, but also slightly apprehensive as the low-rent cover is in stark contrast to the much better artwork adorning their album.
Of course, this is the classic “don’t judge a book by its cover” syndrome. I was fearful of some under-produced Punk/Doom abomination, (for some reason), but in reality of course the band are still crushing it with their classic take on Doom Metal.
So, apart from the cover, all of the ingredients that made their début album so enjoyable are present and correct – Traditional Doom with hints of the darker modern style, a good sound with an audible bass, loose and mournful vocals, Reverend Bizarre influences…it’s all here and I am very glad that it is.
The songs are effortlessly familiar, enjoyable and seem to roll into your ears with ease.
On this EP the band offer up three tracks spanning 25 minutes and it’s a worthy way to spend your time.
For fans of Reverend Bizarre, Saint Vitus, Black Sabbath and Electric Wizard; this is Traditional Doom Metal with a small nod to modern Doom, just enough to give it a dark edge.
With an audible bass that makes a valuable contribution, it falls to the bass and drums to provide a firm foundation on which the lazy rhythm guitar is built whilst the lead guitar sets off in hopeful exploration.
The vocals are as you would expect for this style; loose, mournful and performed with enough character to warrant attention.
The songs are classically composed and written with a true love of the genre. All of the requisite parts of a Traditional Doom Metal band are in place, with Reverend Bizarre in particular seemingly deserving of special reverence.
If you are on the fence with this kind of style or have just had your fill then you probably won’t especially take to Lucifer’s Fall. If you still have more room for another band like this in your collection though, then give this a listen and see what you think.
Trading in the type of Traditional Doom from the likes of Reverend Bizarre and 40 Watt Sun, they mix this blueprint with a bit of character and personality, Cathedral-style.
Cardinals Folly start the album off with a nice slow burner of a song Chant of Shadows before moving into Morbid Glory which introduces us proper to the band’s fuzzy, Old-School style.
Laid back vocals soar over the top of groovy drums and melodic guitar before settling into a nice riff; the theme may be familiar to Traditional Doom fans but the important thing is that Cardinals Folly know their stuff and the songs are enjoyable.
Sometimes the band hit upon a particularly hypnotic piece of dirge and I find myself staring into nothingness, just losing myself in the song and forgetting what I was doing.
Wait, what was I saying?
There is also somewhat of a Black Metal tinge to some of this. It’s probably not intentional, but the slightly scuzzy sound combined with some particular riffs…it’s just a shade of Black but it adds a nice feeling to the tracks when it shows.
This is an album to absorb as a whole; to let it seep and wash over you in waves of Doom.
Vocals alternate between mournful, doleful cleans and coarser, Old-School Death Metal-style rough barks.
The music is Doom through and through, but quite varied in that it takes elements of Doom’s various sub-genres, (Doom Metal, Sludge, Death Doom, Stoner, etc.), and packages them neatly into 43 minutes. They’re not afraid to unleash a big box of groove now and again either; Book of the Fallen in particular sports a riff to rock out to that any Black Sabbath fan would be happy to hear.
Vulcan’s Forge appears to be all about alcohol; not only does this successfully recreate a really boozy atmosphere but it also boasts a great bass line and sound.
The crowning glory of the album has to be the final song Weird Tales which is a 17 minute enthralling epic. It starts with a lonely bass line that Reverend Bizarre would be proud to have written, and builds up from there; adding drums first and slowly bringing in everything else.
Forever in the Realm makes its mark on the listener in both the short term and the long term. There are parts of these songs that are instantly memorable, and others that seep into your consciousness over time.
As a début album this is certainly an impressive release and one that holds many treasures for even a seasoned Doom fan.
Get drunk and play loud.
This is an insanely catchy release, especially for this genre. There’s a strong Old-School, NWOBHM feel to a lot of the riffs and the songs in general; combined with the raspy vocals and the heavy keyboards the songs just melt in your mouth and saturate the brain.
There is a simplicity of songwriting to these songs that is a testament to how good they are – no nonsense or filler, just pure Metal. It puts me in mind of what Reverend Bizarre might sound like if they worshipped at the altar of, (NWOBHM-influenced), Black Metal instead of Doom. Maybe some form of unholy mix of Reverend Bizarre and Sigh…? Maybe with a dash of The Meads of Asphodel…? Hmm…Either way it’s straightforward, but well-written and effective. And massively fun and satisfying.
The vocals are highly distinctive; Black Metal they may be but they seem to be competing for the role of the Devils Own Croak. Very good show!
I can’t help but listen to this and smile. It’s near-impossible not to. If you include this as part of some random playlist you’ll notice that Countess stand out straight away. The band may have been around for over two decades now but they’re still a much-needed force to reckon with. Give them a listen and prepare to be hooked.