This is the fifth album from UK doom metallers Witchsorrow.
2015’s No Light, Only Fire was a great record, one that only got better over time. As such, The Devil and All His Works carries certain quality expectations. Across 48 minutes Witchsorrow continue on their traditional doom metal journey, and should delight any fan of the genre. Continue reading “Witchsorrow – The Devil and All His Works (Review)”
This is the sixth album from US doom metal band The Gates of Slumber.
Reforming after many years dormant, and now with a couple of members of the superb Apostle of Solitude in tow, The Gates of Slumber are back. Containing 36 minutes of new material, The Gates of Slumber is a powerhouse of traditional doom metal. Continue reading “The Gates of Slumber – The Gates of Slumber (Review)”
Lucifer’s Fall and Eldritch Rites are both Australian doom metal bands, and they have teamed up for this spilt release.
The inimitable Lucifer’s Fall, (check out this, this, this, this, and this), start off the split – 3 songs, 18 minutes. Continue reading “Lucifer’s Fall/Eldritch Rites – Graveyard Rites – Split (Review)”
This is the debut album by Friends of Hell, an international doom metal band.
As soon as I saw that Friends of Hell featured ex-members of Electric Wizard and Reverend Bizarre, I knew I wanted to sample its wares. I haven’t been disappointed. Continue reading “Friends of Hell – Friends of Hell (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
This time we’ll take a look at some releases from Majestic Mountain Records, which is a record label that I’ve only really just discovered via the wonderful Kal-El. I know nothing about the label, but I like what I’m hearing, so let’s delve into some of what they have to offer below… Continue reading “Label Roundup: Majestic Mountain Records – Bogwife, Redscale, Jointhugger, & Grand Cadaver (Reviews)”
This is the third album from Australian doom metallers Lucifer’s Fall.
I’m a sucker for Lucifer’s Fall. Whatever they do seems like filthy doom gold as far as I’m concerned. If you haven’t already, make sure you also check out their past releases, (Lucifer’s Fall, Fuck You We’re Lucifer’s Fall, II – Cursed & Damned, Tales from the Crypt), as every single one of them is worth it. Continue reading “Lucifer’s Fall – III – From the Deep (Review)”
This is the debut album from Megalith Levitation, a Russian stoner/doom band.
There’s only four songs on this album, but with a total duration of 77 minutes, Acid Doom Rites is a whopper. Continue reading “Megalith Levitation – Acid Doom Rites (Review)”
Cardinals Folly are a Finnish doom metal band and this is their fourth album.
I have a certain fondness for Cardinals Folly’s second album Our Cult Continues!. This was basically an hour of fuzzy traditional doom metal which had plenty of character and personality. Continue reading “Cardinals Folly – Deranged Pagan Sons (Review)”
Lucifer’s Fall are an Australian doom metal band and this is their second album.
We know Lucifer’s Fall from their 2014 debut album Lucifer’s Fall and their 2015 EP, (the title track of which also appears on this latest album). Continue reading “Lucifer’s Fall – II: Cursed & Damned (Review)”
This is the latest EP from Australia’s Lucifer’s Fall. They play Traditional Doom Metal.
I really liked Lucifer’s Fall’s début album; it was a definite grower. I was looking forward to listening to this new EP, but also slightly apprehensive as the low-rent cover is in stark contrast to the much better artwork adorning their album.
Of course, this is the classic “don’t judge a book by its cover” syndrome. I was fearful of some under-produced Punk/Doom abomination, (for some reason), but in reality of course the band are still crushing it with their classic take on Doom Metal.
So, apart from the cover, all of the ingredients that made their début album so enjoyable are present and correct – Traditional Doom with hints of the darker modern style, a good sound with an audible bass, loose and mournful vocals, Reverend Bizarre influences…it’s all here and I am very glad that it is.
The songs are effortlessly familiar, enjoyable and seem to roll into your ears with ease.
On this EP the band offer up three tracks spanning 25 minutes and it’s a worthy way to spend your time.
Wonderbox Metal 