This is the follow up to the belligerent Sahataan ne Kaikki from 2015. Like Royalty finds Sågverk in fine form. They have managed to take what made their debut album so enjoyable and refine and develop it further into the very satisfying 38 minutes of music that they have given us here. Continue reading
Chaos. Ugly, blackened chaos. Underground hardcore punk with more anger and bile than you can shake a stick at. Yes, this is what you should expect from the 25 minutes of mayhem on Bestiale Battito Divino. Continue reading
Inter Feces et Urinam Nascimur sort of sounds like what would happen if Darkthrone embraced a love of Scandinavian d-beat and produced one massively pissed off record. Add in some elements of crusty death metal and grindcore and you have 23 minutes of red-hot anger. Continue reading
Due to my love of their first EP Permanence, as well as all things Primitive Man and Clinging to the Trees of a Forest Fire, (who they share members with), this release has been highly anticipated by yours truly.
On Permanence Vermin Womb channelled the destructive essence Continue reading
Sea of Bones have produced some monolithic, crushing doom/sludge metal in their time, so it’s with great joy that I prepared to listen to their half of this split – a single track named Hopelessness and Decay, lasting just under 11 minutes.
Slow and full of apocalyptic inevitability, the track unfolds at minimal speed, Continue reading
Wömit Angel are from Finland and play Crust-infused Black Metal.
This is their latest EP, which is the follow up to their 2014 release Holy Goatse. There are three tracks of odious Black Metal lasting all of seven and a half minutes.
It starts off with the title track Maggotmouth, which is all blasting hatred and frothing at the mouth. It’s primitive, underground Black Metal crossed with a Punk/Crust aesthetic that’s rough enough to hurt.
As opening statements go it’s a good one.
The next track Children of Moon follows up Maggotmouth with equal fury. Vocals are rasped threats and the music is suitable ascerbic. Deep, gargling vocals back up the higher ones and they sound suitably disgusting.
The final track King-SM is a re-recorded version of a track from their début demo Gnitimov fo Gninnigeb Eht. This follows the same format as the previous two songs and cements Wömit Angel’s enduring appeal.
This is a band who write attractively murky riffs that do the Blackened Crust thing well and leave no doubt in my mind that Wömit Angel are the real deal.
If anything I’d say that Maggotmouth represents a good step forward for the band and an improvement on Holy Goatse, which in itself was no slouch.
Quality work from these peddlers of filth. Keep it up!