This is the second album from US blackened hardcore band Wolf King.
2018’s Loyal to the Soil was an enjoyable slice of vicious nastiness, so I knew that Continue reading “Wolf King – The Path of Wrath (Review)”
This is the second album from US blackened hardcore band Wolf King.
2018’s Loyal to the Soil was an enjoyable slice of vicious nastiness, so I knew that Continue reading “Wolf King – The Path of Wrath (Review)”
New year, new metal. What did January have to offer? More than it usually does, it turns out. Let’s take a look at five of the best… Continue reading “Monthly Overview – the Best of January 2021”
Portrayal of Guilt are a blackened hardcore band from the US and this is their second album.
And now for 26 minutes of grim darkness and murderous brutality. Portrayal of Guilt play the sort of ultra-nasty hardcore that can lacerate flesh at 1000 paces. Mixing together blistering hardcore and angry punk with a blackened sheen, this is not for the faint of heart. Continue reading “Portrayal of Guilt – We Are Always Alone (Review)”
The Phantom Carriage are a blackened hardcore band from France and this is their third album.
As the album title suggests, it’s been 7 years since the band’s second album, and 7-Year Epilogue is one that I’ve definitely been looking forward to. If you’re unfamiliar with the band’s work, then put simply; The Phantom Carriage combine Continue reading “The Phantom Carriage – 7-Year Epilogue (Review)”
May held some strong releases, so let’s get down to business right away… Continue reading “Monthly Overview – the Best of May 2020”
Bait are a German blackened hardcore band and this is their debut album.
Featuring a member of Der Weg Einer Freiheit, Bait play post-black metal with hardcore bite. Offering 45 minutes of aggressive darkness, Revelation of the Pure is a worthy listen. Continue reading “Bait – Revelation of the Pure (Review)”
Calligram are a UK-based international blackened metal band and this is their latest album.
Calligram adopt a modern approach to black metal on The Eye Is the First Circle, mixing it with elements of hardcore to produce a set of dark songs that pierce the listener deeply and won’t let go. Continue reading “Calligram – The Eye Is the First Circle (Review)”
Hexis and Zatokrev are both bands I’ve liked for many years, but filed in the “bands I’ll probably never get to see live” category. I do so enjoy being wrong. On a more negative note, tonight is one of the most sparsely attended gigs I’ve ever been to, which is a huge shame for the bands. Continue reading “Hexis/Zatokrev/Marw – Rebellion, Manchester – 18/08/19 (Live Review)”
Friendship are from Japan and play blackened grindcore/hardcore. This is their second album.
2017’s Hatred was an intoxicating blend of grindcore, sludge, and blackened hardcore powerviolence. It was a hideously effective record, so I’m quite pleased that we now have Undercurrent to sate our desire for fresh carnage. Continue reading “Friendship – Undercurrent (Review)”
Glassing are a blackened hardcore band from the US and this is their second album.
I do so like these hybrid styles that are almost impossible to lump into a single genre, or to easily categorise. This particular release mixes hardcore, black metal, and post-metal into something quite personable, and it’s a very effective and enjoyable listen because of this. Continue reading “Glassing – Spotted Horse (Review)”