Descent are an Australian death metal act and this is their second album.
Order of Chaos offers a tight 30 minutes of punishing death metal. Smashing together HM-2-influenced death metal with ferocious grindcore and caustic punk, Descent’s second album is a vicious beast. Continue reading “Descent – Order of Chaos (Review)”
Fit for an Autopsy are a deathcore band from the US and this is their sixth album.
Both 2017’s The Great Collapse and 2019’s The Sea of Tragic Beasts demonstrated Fit for an Autopsy‘s superiority when it comes to deathcore. The band are just doing better things with the style than most other ostensibly similar bands out there. With that in mind, expectations were high for Oh What the Future Holds. Continue reading “Fit for an Autopsy – Oh What the Future Holds (Review)”
This is the fourth album from US metal/deathcore band Enterprise Earth.
Enterprise Earth walk a line between modern death metal, deathcore, and metalcore, and on The Chosen the band deliver a whopping 71 minutes of meaty material for listeners to get their teeth into. Continue reading “Enterprise Earth – The Chosen (Review)”
Worm Shepherd are a blackened deathcore band and this is their second album.
It’s been less than a year since 2021’s In the Wake of Sol, but here we are already with another Worm Shepherd album. Not that I’m complaining, as that album was a solid slab of blackened atmosphere and crushing deathcore heaviness. Continue reading “Worm Shepherd – Ritual Hymns (Review)”
This is the debut album from Necrophagous, a death metal band from Sweden.
Featuring ex-members of Visceral Bleeding and Entrails, In Chaos Ascend contains 45 minutes of groove-laden, blast beat-driven timeless death metal.
The promo blurb compares Necrophagous’ sound to a combination of the above two bands, along with Continue reading “Necrophagous – In Chaos Ascend (Review)”
This is the fourth album from Wilderun, a progressive metal band from the US.
Wilderun play progressive metal with elements of death and symphonic metal, and touches of folk. This simple description does little to fully describe how good Wilderun are at weaving these various influences together on Epigone. Continue reading “Wilderun – Epigone (Review)”
This is the latest EP from French death metallers Barús.
I enjoyed 2015’s self-titled EP, as well as 2018’s Drowned, so when it appeared Fanges was always destined for my playlists. Although billed as an EP, there’s actually an album’s worth of material for some bands here – 34-minutes spread out over two large tracks. Barús play atmospheric death metal with progressive and dissonant elements, and on Fanges they range wider and more freely than they have done before. Continue reading “Barús – Fanges (Review)”
Dakhma are a blackened death metal band from Switzerland and this is their second album.
Dakhma play an exotic form of blackened death metal that’s Zoroastrian-themed and highly detailed. Epic in scope and execution, Blessings of Amurdad offers a highly atmospheric exploration of extreme metal, without sacrificing the meaty, brutal riffs. The music is imbued with Middle Eastern influences that come to life not only Continue reading “Dakhma – Blessings of Amurdad (Review)”
Soul Remnants are a death metal band from the US and this is their fourth album.
Following on from 2013’s Black and Blood and 2017’s Ouroboros, Soul Remnants have now returned with their longest album to date – 50 minutes of new material. If you’re unfamiliar with the band, a mix of old The Haunted and Hypocrisy, (with the occasional dash of Kataklysm and Amon Amarth), is a decent enough starting point to gain an initial idea of how their music roughly sounds, (although this is by no means a comprehensive description). Continue reading “Soul Remnants – Raising the Sacrificial Dagger (Review)”
Yes, it’s that time of year again! 2021 gave us some very, very good metal, and I feel honoured to have been able to have listened to as much of it as I have done. There are some notable absences, (for me at least), from the below list, but there’s just not enough time or space for everything, dammit!
2020 was a very blackened year for me; I listened to a lot of black metal, and the list for that year reflected that. At the start of 2021 I decided I’d consciously try to ensure I cast my net a bit wider again, reconnecting more deeply with some of many other styles of metal that I enjoy. 2021’s list reflects this. However, I’ve still ended up with much more of a black metal presence in the list than I was initially expecting. What can I say? I’m a sucker for all of the myriad blackened flavours of the style. However, there’s also a lot of other stuff here that I hope you’ll dig into and enjoy too. I felt that there was a notable absence of grindcore in 2021, as well as some of the more extreme styles of doom. What do you think?
I hope you enjoy perusing some of my favourite records from this year, and I hope you find something new to tickle your fancy. What’s your number one this year? Continue reading “Wonderbox Metal End of Year List – Best Metal of 2021”
