This is the seventh album from Entrails, a Swedish death metal band.
A new Entrails album is always worth a listen. I enjoyed 2015’s Obliteration, 2017’s World Inferno, and 2019’s Rise of the Reaper, and An Eternal Time of Decay – with its 46 minutes of material – is no different. Continue reading “Entrails – An Eternal Time of Decay (Review)”
Demonical are from Sweden and this is their seventh album. They play death metal.
I always enjoy Demonical’s work, (check out 2016’s Black Flesh Redemption and 2018’s Chaos Manifesto), so new material by the band is definitely well-received. I never got the chance to review 2020’s World Domination, so now that we have Mass Destroyer I wanted to make certain that this oversight didn’t happen twice. Continue reading “Demonical – Mass Destroyer (Review)”
Outre-Tombe are a Canadian death metal band and this is their third album.
Outre-Tombe are here to supply all of your old-school death metal needs. Looking for something grotesque and foul, populated with enough bloody riffs to keep you going for months? They got Continue reading “Outre-Tombe – Abysse Mortifère (Review)”
This is the third album from German death metal band Endseeker.
2019’s The Harvest was a solid and enjoyable slice of Swedish-influenced death metal, so when the 36-minute lump of sinew and teeth that is Mount Carcass appeared on the horizon, I knew I wanted to embrace it eagerly. Continue reading “Endseeker – Mount Carcass (Review)”
Lik are a Swedish death metal band and this is their third album.
Following on from 2018’s hugely enjoyable Carnage, Lik, (Featuring members of Witchery and Katatonia), now return with another 40 minutes of bloodsoaked material. Continue reading “Lik – Misanthropic Breed (Review)”
This is the second album from Russian death metallers Pyre.
It’s been six years since Human Hecatomb, but now the well-regarded Pyre have returned. This is old-school death metal, unapologetic and unrefined, just as it should be. Taking influence from the Swedish style, (but not exclusively), Chained to Ossuaries gives us 41 minutes of strong material. Fans of Dismember, Asphyx, and Autopsy pay attention. Continue reading “Pyre – Chained to Ossuaries (Review)”
Rogga Johansson is a Swedish death metal legend and this is his second solo album.
Rogga Johansson is a man of many bands – listing groups like Paganizer, Down Among the Dead Men, and Echelon only scratches the surface. Not content with his many, many projects, he also has this eponymously named new album. As you would expect, it’s death metal, pure and undiluted. Continue reading “Rogga Johansson – Entrance to the Otherwhere (Review)”
Burial Remains are a death metal band from Germany/the Netherlands, and this is their debut album.
Across a mere 25 minutes Burial Remains tear out Swedish-styled old-school death metal like it never went out of fashion. Hell, as far as I’m concerned, it never did. Continue reading “Burial Remains – Trinity of Deception (Review)”
Hex are a Spanish death/doom metal band and this is their second album.
Hex are a band that play a base of death metal that’s been infused with doom. It is, in general terms at least, a mix of old-school bands such as Paradise Lost, Bolt Thrower, Behemoth, Hypocrisy, and Dismember, with a few others thrown in too. Continue reading “Hex – God Has No Name (Review)”
This is the third album from German death metallers Reckless Manslaughter.
It seems a long time since 2013’s Blast into Oblivion came out, which of course is has been. Although the band have released a couple of splits and a demo in the intervening years, I haven’t heard them, so Caverns of Perdition is my first chance to catch up with them again. Continue reading “Reckless Manslaughter – Caverns of Perdition (Review)”
Wonderbox Metal 