Bloodtruth’s 2014 debut album Obedience was characterised by crisp brutality, efficient technicality, and, unusually, the occasional Gregorian chant. You can think of Martyrium as a refinement of the process that was started on Obedience, only this time with an added concept for the entire album. Continue reading
Who doesn’t love a bit of Modern Death Metal? I know I do. Sharp and tight, played with just the right hint of Deathcore and heavier than a barrelful of spanners? Sign me up!
Take a look at the album cover – you know what you’re getting yourself into. If you like bands such as The Kennedy Veil, Wormed, Alterbeast, Job for a Cowboy, Bloodtruth, Deep in Hate, etc. then this is another must.
This is brutal music played for the love of carnage and all things destructive. Lightning riffs and chugging menace work alongside inhuman drumming and lethal intent.
The vocals are aggressive growls that trade off with scything screams. The vocalist clearly knows his business and puts in a top-rate performance.
These songs have the requisite speed and brutality to them but I also like the energetic riffing and dynamic nature of the guitars. There’s also somewhat of a Morbid Angel/Behemoth feel to some of the guitar parts, which is a different angle that differentiates them from some of their similar peers.
There are some nice ideas and interesting enhancements on this, a good example is the added orchestration that infuses some of the songs and creates another layer of atmosphere to the proceedings. Top work.
I particularly enjoy some of the lead guitarwork and there are plenty of solos to satisfy as well, which is something I really like too. These chaotic melodics work well with the hardened brutality of Ichor’s core and the songs come alive with a darkness that sometimes even borders on the edge of Blackened Death Metal.
Yes, yes; much like Swedish Death Metal I’m a sucker for this kind of stuff, but this really is a damn fine album. The cutting riffs, growling hatred and superior songwriting mean Ichor will be with me for some time to come.
Here’s to plumbing the depths…
This is Brutal Death Metal played with passion and delivered with a storm. Crisp, crunchy riffs and blasting drums lead the charge with relentless growls and surgical strikes following up. Oh yes, and Gregorian chanting.
The band boast a crushing sound where everything sounds sharp and ready to maim. It’s heavy and it’s adrenalin soaked.
The singer has a gruff, satisfying growl that fits the music like a glove and he mainly spends his time shouting vicious diatribes and barking like a chained attack dog.
The songs are focused and brutal, with blast beats aplenty and light speed melodics and solos added in at all of the right places. The melodic guitar leads are nicely fused with the music so that they don’t detract from the brutality at all. Even though they frequently do use melodies in their songs this is not a band who would ever be described as Melodic Death Metal, and rightfully so. This is all about crushing, Brutal Death Metal and how they can demolish everything around them.
Obedience has a good pace to it and the guitars alternate between heavy chugs and ultra-blasting speed assaults in a way that flows naturally from one riff to the next. Each track is an enjoyable ride through mayhem and carnage as the band deal out punishment and pain with every precise turn through the Death Metal landscape.
If you like punchy Death Metal played with sheer brutality and clinical precision then there’s nothing not to like here.
Listen. Destroy. Obey.