This is the debut album from UK sludge/post-metal band Urzah.
The Scorching Gaze contains 42 minutes of material delivered in a charismatic hybrid metallic style. Urzah combine elements of sludge, post-metal, progressive metal, doom, and hardcore/metalcore into an exemplar of heaviness that feels timeless. Continue reading “Urzah – The Scorching Gaze (Review)”
This is the sixth album from US grindcore band Full of Hell.
New Full of Hell is always a bit exciting, and this time they have returned with their most colourful album cover yet. What does this mean for the music contained within? Before we get to that, I’ll just link to my previous reviews of 2017’s Trumpeting Ecstasy, 2019’s Weeping Choir, and 2021’s Garden of Burning Apparitions, as all are damn fine albums worthy of your attention. Continue reading “Full of Hell – Coagulated Bliss (Review)”
Mastiff are a hardcore/sludge metal band from the UK and this is their fourth album.
Both 2019’s Plague and 2021’s Leave Me the Ashes of the Earth were enjoyable slabs of ugly sludgy hardcore heaviness, so it’s great to have a new Mastiff album in our lives. Deprecipice contains 34 minutes of material, and sees Mastiff stepping up their game once more. Continue reading “Mastiff – Deprecipice (Review)”
This is the debut album from Australian death metal band Resin Tomb.
Cerebral Purgatory is brought to us by members of Descent and Siberian Hell Sounds, and assails the listener with 29 minutes of scathing deathgrindsludge mayhem. Continue reading “Resin Tomb – Cerebral Purgatory (Review)”
This is the debut album from US metal band Memorrhage.
Now here’s an album I couldn’t miss out on. Brought to us by a member of Cara Neir, Memorrhage is a tribute to the 90s metal scene, specifically nu-metal and the related styles around this, including hardcore, metalcore, and industrial. Yep, I had to hear this. Continue reading “Memorrhage – Memorrhage (Review)”
This is the second album from UK mathcore band Pupil Slicer.
With a sci-fi theme and a range of different influences, Blossom is a 46-minute journey into Pupil Slicer’s absorbingly intense world. The promo blurb states bands such as Nine Inch Nails, Deafheaven, Radiohead, and Botch as prime influences, and this should set the scene for what is a broad and compelling work. Continue reading “Pupil Slicer – Blossom (Review)”
This is the debut album from Belgian sludge/post-metal band Predatory Void.
Featuring current and ex-members of Amenra, Carnation, Living Gate, Cobra the Impaler, Oathbreaker, and Aborted, Seven Keys to the Discomfort of Being is a 43-minute multifaceted trip into extreme metal darkness. Continue reading “Predatory Void – Seven Keys to the Discomfort of Being (Review)”
This is the debut album from US one-man black metal band Theophonos.
Rising from the ashes of Serpent Column, the music of Theophonos is a nightmarish mixture of twisted black metal and abrasive hardcore fury. Continue reading “Theophonos – Nightmare Visions (Review)”
This is the debut album from Ὁπλίτης (otherwise known as Hoplites), a one-man post-black metal band from China.
Ψευδομένη contains 38 minutes of experimental avant-garde black metal. The artist behind Ὁπλίτης has combined a lot of different styles and influences into this record. Imagine Blut Aus Nord, Jute Gyte, and Deathspell Omega crossed with Frontierer, Converge, and Sectioned, along with a touch of Ephel Duath and Oranssi Pazuzu, and you’ll have a rough idea of what you’ll encounter here. Continue reading “Ὁπλίτης (Hoplites) – Ψευδομένη (Review)”
This is the debut album from French progressive metal band Ahasver.
Ahasver is made up of members of bands such as Eryn Non Dae, Drawers, and Gorod, among others. Causa Sui contains 42 minutes of music that’s a good deal more individual than most you might encounter. Continue reading “Ahasver – Causa Sui (Review)”
Wonderbox Metal 