This is the debut album from US one-man black metal band Theophonos.
Rising from the ashes of Serpent Column, the music of Theophonos is a nightmarish mixture of twisted black metal and abrasive hardcore fury. Continue reading “Theophonos – Nightmare Visions (Review)”
This is the debut album from Ὁπλίτης (otherwise known as Hoplites), a one-man post-black metal band from China.
Ψευδομένη contains 38 minutes of experimental avant-garde black metal. The artist behind Ὁπλίτης has combined a lot of different styles and influences into this record. Imagine Blut Aus Nord, Jute Gyte, and Deathspell Omega crossed with Frontierer, Converge, and Sectioned, along with a touch of Ephel Duath and Oranssi Pazuzu, and you’ll have a rough idea of what you’ll encounter here. Continue reading “Ὁπλίτης (Hoplites) – Ψευδομένη (Review)”
This is the debut album from French progressive metal band Ahasver.
Ahasver is made up of members of bands such as Eryn Non Dae, Drawers, and Gorod, among others. Causa Sui contains 42 minutes of music that’s a good deal more individual than most you might encounter. Continue reading “Ahasver – Causa Sui (Review)”
Sunflo’er are a hardcore band from the US and this is their third album.
On All These Darlings and Now Me Sunflo’er combine mathcore and post-hardcore into a harsh-yet-catchy 27 minutes. Continue reading “Sunflo’er – All These Darlings and Now Me (Review)”
This is the second album from metallic hardcore band Outright.
Described in the promo blurb as a mix of Walls of Jericho and Slayer, this is as good an introduction as any to Outright’s sound, (I’d also throw in a bit of Capra too, as a more recent reference point). Continue reading “Outright – Keep You Warm (Review)”
Cave In are a US post-hardcore/rock band and this is their seventh album.
Following on from 2019’s Final Transmission, Heavy Pendulum is somewhat of a different beast to their last album. Whereas Final Transmission was short, (31 minutes), fragile, and emotive, reflective of the effects of tragedy and loss, Heavy Pendulum is long, (71 minutes), has greater range, (though still emotive), and more reflective of the band’s varied discography as a whole. Continue reading “Cave In – Heavy Pendulum (Review)”
Come to Grief are a sludge band from the US and this is their debut album.
Formed by ex-members of Grief, When the World Dies contains 38 minutes of harsh ugliness for fans of Grief, Fistula, Eyehategod, Yatra, Burning Witch, Iron Monkey, and Thou. Prepare yourself, as Come to Grief take no prisoners. Continue reading “Come to Grief – When the World Dies (Review)”
This is the third album from Greyhaven, a hardcore band from the US.
Greyhaven play a form of modern post-hardcore that takes influence from a range of places. On the one hand they clearly follow the Every Time I Die template of hardcore, with raucous heaviness mixed with emotive cleanly-sung sections. On the other hand though, they also follow a sort of progressive post-hardcore Continue reading “Greyhaven – This Bright and Beautiful World (Review)”
This is the third album from US blackened post-hardcore band Glassing.
Following on from 2019’s Spotted Horse, Twin Dream delivers 48 minutes of new material, and essentially continues off from where Spotted Horse left off, only improves it in pretty much all respects. Continue reading “Glassing – Twin Dream (Review)”
This is the fifth album from US grindcore band Full of Hell.
Full of Hell have always impressed. Both 2017’s Trumpeting Ecstasy and 2019’s Weeping Choir did exactly that, and now they have returned with 21 minutes of new material. So, what dark delights does Garden of Burning Apparitions bring us? Continue reading “Full of Hell – Garden of Burning Apparitions (Review)”
Wonderbox Metal 