Cut the Architect’s Hand are a Metal/Hardcore band from the US, this is their latest album.
Having enjoyed 2016’s We Dig No Graves, it’s now time for another furious blast of gritty aggression and angular riffage. Continue reading
Coilguns are a hardcore band from Switzerland and this is their second album.
Playing music that’s intricate and full of lethal promise, this is 39 minutes of focused violence and barely restrained aggression. The songs on this album are full of intensity and harshness, but in a controlled and directed manner. Continue reading
Helpless are a UK hardcore/grindcore band and this is their debut album.
Here we have 22 minutes of intense grinding mayhem. It’s feral and violent, but not without a dangerous intelligence. Continue reading
The Hirsch Effekt are a German progressive metal band and this is their fourth album.
Here we have 61 minutes of progressive metal/hardcore, the likes of which you rarely encounter among the faceless hordes of most nearly-interchangeable bands. Continue reading
Gnarwolf are a US hardcore band and this is their latest EP.
You’ve gotta like this kind of thing; less than 14 minutes of angular, chaotic hardcore. The band play it well and make one Hell of a noise. What’s not to like? Continue reading
Dying Whale are a US hardcore band and this is their latest release.
Last Moments of Misery is a 34 minute mix of hardcore, punk, metal and sludge.
Starting with a firm punk/hardcore base to their music, metal and sludge influences are liberally thrown over the top of it to get the end result that they want. Continue reading
Coma Cluster Void are a death metal band, (of sorts), and this is their debut album. They have an international lineup, with members from Canada, Germany and the US.
This album features not one, but two ex-Cryptopsy singers. You heard that right. To be fair, one of them, (Lord Worm), is only a guest vocalist on a couple of tracks, but still. The other, (Mike DiSalvo), is only one half of the vocal attack, the other half being provided by Continue reading
Remote are a French hardcore band and this is their second album.
You’ve gotta love dark, violent music that creates oppressive, negative atmospheres. Yes? Oh come on, of course you do.
Combing chaotic hardcore, crushing sludge, dark metal and inventive post-hardcore, Remote present us with 33 minutes of angst-ridden darkness that aims to cause damage. Continue reading
This is the début album from Swedish hardcore band Snake Tongue.
Snake Tongue play modern chaotic hardcore with a violent punk edge to it, recalling a cross between Converge, All Pigs Must Die and Botch.
Heavy, rhythmic hardcore merges together with Continue reading
Cut the Architect’s Hand are a Metal/Hardcore band from the US, this is their latest album.
Featuring a Hardcore base, Cut the Architect’s Hand layer Metal trappings on top of this, building an album that has depth and longevity due to its commitment to creating involving and engaging underground heavy music.
This reminds me of the extremely fertile cutting edge/violent Hardcore scene about 15 years ago, when it seemed that almost every band that came out from the US on labels like Trustkill Records were doing something new and interesting.
Cut the Architect’s Hand are torn from the same cloth as this era. Imagine the atypical wanderings of Botch mixed with the primal aggression of something like For the Bleeders by Vision of Disorder; this should give you a good idea of what you’re in store for should you delve into this record. And delve you should.
The songs are gritty and well-worn, like they’ve been harshly sanded down prior to being unleashed on the world. It’s quite a savage, unpolished sound, but it fits the band’s aggressive music and this is 34 minutes that you won’t regret spending.
It’s all very well-written and structured, with fast brutality and interesting riffs around every corner. Moments of introspective Post-Hardcore are dotted around here and there, adding further texture to already textured music. I like that each track has a distinct personality and something of its own to offer the listener.
Absolute top quality. Makes me quite nostalgic for the early 00s too, while also showing that although it’s not as commonplace these days, this kind of inventive and individual heavy music is still alive and well in 2016.
For fans of forward-thinking, Hardcore-based aggressive Metal.
