This is the second album from UK mathcore band Pupil Slicer.
With a sci-fi theme and a range of different influences, Blossom is a 46-minute journey into Pupil Slicer’s absorbingly intense world. The promo blurb states bands such as Nine Inch Nails, Deafheaven, Radiohead, and Botch as prime influences, and this should set the scene for what is a broad and compelling work. Continue reading “Pupil Slicer – Blossom (Review)”
This is the second album from UK post-metal act The Ever Living.
The Ever Living combine alternative, electronic/industrial, and post-metal together into 43 minutes of material on Artificial Devices, resulting in a textured, immersive collection of tracks. Continue reading “The Ever Living – Artificial Devices (Review)”
This is the third album from US industrial metal band Return to Earth.
Industrial metal is a rather nebulous and potentially misleading genre tag when applied to Return to Earth. Oblivion is a very diverse and idiosyncratic record, with elements of metal, post-hardcore, industrial, progressive rock, and electronica all present in the music. This Continue reading “Return to Earth – Oblivion (Review)”
This is the second album from Greek progressive metal band Playgrounded.
Playgrounded’s progressive metal is skilfully combined with electronic elements to produce music that’s affecting and engaging. As a starting point for what you’ll encounter here, the promo blurb’s statement that this is for fans of bands such as Karnivool, Katatonia, Nine Inch Nails, Deftones, Moderat, The Ocean, Vola, Leprous, and Skyharbor is a pretty decent one. Continue reading “Playgrounded – The Death of Death (Review)”
This is the debut album from Finnish dark doom rockers Mercury Circle.
Featuring current and ex-members of Swallow the Sun and Children of Bodom, Killing Moons contains 63 minutes of infectiously dark music. The overall style is one of doom-infused, moody, synth-enriched dark rock. Continue reading “Mercury Circle – Killing Moons (Review)”
This is the fourth album from US progressive metallers Rivers of Nihil.
The Work is a 64-minute journey into the increasingly ambitious world of Rivers of Nihil. 2018’s very well-regarded Where Only Owls Know My Name introduced more progressive elements then the previous album did, and the end result of this same evolution is showcased on The Work. Continue reading “Rivers of Nihil – The Work (Review)”
This is the third album from French industrial band Crown.
I’m unfamiliar with Crown’s past work, but apparently The End of All Things is a complete departure from their older sound. Fair enough. If you’re new to the band like me, (or even if you’re not), Crown’s new album contains 46 Continue reading “Crown – The End of All Things (Review)”
Aborym are an Italian industrial metal band and this is their eighth album.
The follow up to 2017’s Shifting.negative, Hostile contains 66 minutes of new material that finds the band incorporating elements of industrial, electronica, and metal/rock into a very solid album. Continue reading “Aborym – Hostile (Review)”
Gottwut are a Russian industrial metal band and this is their debut album.
Taking influence from bands like Rammstein, KMFDM, and Nine Inch Nails, Konglomerat is an enjoyable manifestation of these various influences. Continue reading “Gottwut – Konglomerat (Review)”
This is the latest EP from Slug Comparison, a one-man Canadian progressive rock band.
Slug Comparison’s self-titled debut album, was a very enjoyable and well-realised 41 minutes of modern rock. It reminded me of a mix of elements of bands like Radiohead, Nine Inch Nails, Steven Wilson, and Sunna. Continue reading “Slug Comparison – IIa (Review)”
Wonderbox Metal 