Crown – The End of All Things (Review)

Crown - The End of All ThingsThis is the third album from French industrial band Crown.

I’m unfamiliar with Crown’s past work, but apparently The End of All Things is a complete departure from their older sound. Fair enough. If you’re new to the band like me, (or even if you’re not), Crown’s new album contains 46 Continue reading “Crown – The End of All Things (Review)”

Aborym – Hostile (Review)

Aborym - HostileAborym are an Italian industrial metal band and this is their eighth album.

The follow up to 2017’s Shifting.negativeHostile contains 66 minutes of new material that finds the band incorporating elements of industrial, electronica, and metal/rock into a very solid album. Continue reading “Aborym – Hostile (Review)”

Gottwut – Konglomerat (Review)

GottwutGottwut are a Russian industrial metal band and this is their debut album.

Taking influence from bands like Rammstein, KMFDM, and Nine Inch Nails, Konglomerat is an enjoyable manifestation of these various influences. Continue reading “Gottwut – Konglomerat (Review)”

Slug Comparison – IIa (Review)

Slug ComparisonThis is the latest EP from Slug Comparison, a one-man Canadian progressive rock band.

Slug Comparison’s self-titled debut album, was a very enjoyable and well-realised 41 minutes of modern rock. It reminded me of a mix of elements of bands like Radiohead, Nine Inch Nails, Steven Wilson, and Sunna. Continue reading “Slug Comparison – IIa (Review)”

Combichrist – This Is Where Death Begins (Review)

CombichristThis is the eighth album by Combichrist, a Norwegian/US industrial metal band.

Combichrist are one of those bands that I’ve been aware of since they came out, but I’ve always managed to unintentionally avoid listening to. As this is their eighth album I’m quite late to the Combichrist party, but I’m glad I’ve finally experienced their quite personable brand of industrial metal. Continue reading “Combichrist – This Is Where Death Begins (Review)”

Aborym – Shifting.negative (Review)

AborymThis is the seventh Aborym album. They play industrial metal and hail from Italy.

I love Aborym’s earlier work, but after Generator I lost track of the band unfortunately, so Shifting.negative is my first experience with them in about ten years or so. What a shocking omission on my part! This review will inevitably come from this viewpoint, as I have missed out on their last two albums, which would probably, (I imagine), have given me a more smoother transition to the current incarnation of Aborym. Continue reading “Aborym – Shifting.negative (Review)”

Thy Art Is Murder/The Acacia Strain/Fit for an Autopsy – The Depression Sessions – Split (Review)

Thy Art Is Murder/The Acacia Strain/Fit for an Autopsy Split CoverThis is a split release between three modern death metal/deathcore bands, featuring one original song and one cover song from each artist. Thy Art Is Murder are from Australia, and The Acacia Strain and Fit for an Autopsy are from the US.

Thy Art Is Murder contribute the song They Will Know Another and a cover of Rammstein’s Du Hast, for a total of 9 minutes of music.

They Will Know Another showcases the familiar roars of the band’s vocalist alongside mid-paced Continue reading “Thy Art Is Murder/The Acacia Strain/Fit for an Autopsy – The Depression Sessions – Split (Review)”

Dawn of Ashes – Theophany (Review)

Dawn of AshesThis is the fifth album from this US black metal band.

Dawn of Ashes play modern, professional, industrial black metal with plenty of keyboard/electronic enhancements. Kind of coming across as a mix of Dimmu Borgir, Deathstars and Neurotech, this is heavy, rhythmic and quite catchy. Continue reading “Dawn of Ashes – Theophany (Review)”

The Unravelling – Tear a Hole in the Collective Vision (Review)

The UnravellingThis is the second album from Canadian Progressive/Industrial Rock band The Unravelling.

The Unravelling’s music is modern, Progressive Rock with Industrial elements. It’s layered with emotive content and depth of songwriting.

Recalling elements of bands such as Filter, Nine Inch Nails, Sunna, Gravity Kills, Tool and Katatonia, Tear a Hole in the Collective Vision is 44 minutes of music that draws you in with its dark edge and personal themes.

This is a diverse collection of songs with a great variety in mood, pace and dynamics across the 10 tracks. It’s easy to view a band such as this as providing the listener with a musical journey to go on, travelling down the various routes and paths with the band as they explore the moods and atmospheres of their self-created landscape.

Strong vocals provide a focal point for the music and the singer’s slightly atypical voice fits the atypical music to a tee.

This is an impressive album and should definitely be checked out by anyone who enjoys this electronic approach to atmospheric Rock.

Give it a try.