Murk Rider – Exile of Shadows (Review)

Murk Rider - Exile of ShadowsThis is the debut album from US black metal band Murk Rider.

Three enormous songs, with a combined duration of 82 minutes? Okay, I’ll bite.

An album of depth, both musically and thematically, Exile of Shadows is black metal in only one of its aspects, albeit a primary one. The band also occasionally incorporate apocalyptic sludge and stoner doom into their melting pot, as well as strands of classic heavy and speed metal. This curious, (yet effective), mixture means that Continue reading “Murk Rider – Exile of Shadows (Review)”

Cara Neir/Wildspeaker – Guilt and His Reflection (Review)

Cara Neir WildspeakerCara Neir are a black metal/crust/grind/whatever band from the US. They have teamed up with Wildspeaker, a blackened sludge/crust band, also from the US.

I’m a big fan of Cara Neir, so as far as I’m concerned any release of theirs is well worth giving a listen to. On this split they contribute seven songs spread over 21 minutes.

You never quite know what you’re going to be getting with Continue reading “Cara Neir/Wildspeaker – Guilt and His Reflection (Review)”

Cara Neir/Venowl – Split

CNVCara Neir and Venowl are both from the US and they’ve teamed up for this tasty split. Cara Neir play Black Metal with a Crust/Punk influence, whilst Venowl are the embodiment of dirty Doom evil.

Cara Neir are up first with three tracks lasting just under 12 minutes. Theirs is a direct assault that strips the flesh from bone and mutilates with extreme savagery.

Brutal riffs and Blackened melodies are powered by a Crusty assault that leaves the listener battered.

Sharp vocals eat away like acid as the singer attempts to claw his way through your ears and into the meaty goodness within.

They’re no one-trick pony however, as Cara Neir have shown throughout their prolific back catalogue. Even here on their short contribution to this split they show a good amount of variety.

Aeonian Temple is anger personified, Nights… is Shoegaze/Post-Metal in the style of Sun Devoured Earth and Pitiful Human Bindings, which is also the longest song, comes off like lo-fi Black Metal with a corrupted aura and a rabid bite.

Venowl have not long released their début album Patterns of Failure and with that success in mind we turn to them. They contribute only one track to this split. It’s called Scour (Parts I and II), it’s almost 22 minutes long and it is an ode to gradually inflicted and long, drawn-out pain. At least, that’s what it sounds like to me.

Venowl play slow. Except when they play even slower. It’s filthy, unhealthy, dangerous and barbed. It’s everything you love about unhinged, caustic Doom.

The track largely defies description except to possibly detail the descending layers of Hell and the accumulated millennia of torment and suffering that has accreted there.

Here we have two very different bands that manage to complement each other perfectly. I think you should do yourself a favour and get hold of this split. Darkness and misery never sounded so underground or so good.