This is the second album from US black metal band Lord Almighty.
Lord Almighty play a modern brand of progressive black metal that incorporates elements of blackened thrash, sludge, crust, and rock into its vibrant embrace. The press blurb invokes bands such as Darkthrone, Kvelertak, Thin Lizzy, Mastodon, Continue reading “Lord Almighty – Wither (Review)”
Yatra are a doom band from the US and this is their debut album.
Now here we have an album that’s infused with darkness; it’s almost tangible, but in a warm, smoky way. Mixing ugly doom, riff-hungry stoner, blackened sludge, and harsh drone influences into 45 minutes of material, Death Ritual showcases the dark underbelly of doom metal. Continue reading “Yatra – Death Ritual (Review)”
The Lion’s Daughter are a progressive blackened sludge metal band and this is their third album.
The Lion’s Daughter always seem willing to try out new things, enhancing their core of heavy sludge with all manner of different elements depending on their mood and interests at the time. Thus far, for me their most striking Continue reading “The Lion’s Daughter – Future Cult (Review)”
This is an EP from Skullcrush, a death metal band from the US.
Containing a mixture of different gruesome ingredients, you can hear Suffocation, Bolt Thrower, and even a touch of old Amorphis in Skullcrush’s sound. Across the 22 minutes on this EP the band combine these influences and more into a ghastly blend of grim, dirty death metal. Continue reading “Skullcrush – Visions of the Firestorm Eclipse (Review)”
Crawl play blackened doom, and Leviathan play black metal. Both are solo artists from the US and have got together to birth this hideous, reeking mass of unpleasantness.
This split lasts 24 minutes, with each artist contributing a single track lasting 12 minutes exactly. Continue reading “Crawl/Leviathan – Split (Review)”
Beldam are a blackened doom/sludge band form the US and this is their second album.
Pasung offers up 48 minutes of gritty, American sludge metal, replete with plenty of doom and an ugly blackened patina. Continue reading “Beldam – Pasung (Review)”
This is a split release between two sludge/doom/post-metal bands from Germany – Blæck Fox and Morasth.
Blæck Fox present us with 15 minutes of layered blackened gloom. Spread over two tracks, Blæck Fox bring the darkness with enviable ability. Continue reading “Blæck Fox – Morasth – Split (Review)”
This is the debut album from French post-black metallers Heir.
So what makes this post-black metal? Well, that would be the sludge and hardcore influences that are liberally strewn around. Continue reading “Heir – Au Peuple de l’Abîme (Review)”
This is the ninth album from Forgotten Tomb, an Italian black/doom/sludge metal band.
I do have a particular fondness for Forgotten Tomb. Over the years they have morphed from depressive black metal into some form of reeking, hideous piece of blackened sludge nastiness. They’ve reached the point now on We Owe You Nothing that they’ve just thrown everything that they like about darkness and hatred into 42 minutes of blackened sludge doom. Continue reading “Forgotten Tomb – We Owe You Nothing (Review)”
Owlcrusher are a blackened doom/sludge band from the UK and this is their debut album.
Here we have some truly ugly, colossally heavy music, the likes of which you don’t stumble upon too often. Which, for the listener’s sanity and well-being, is probably a good thing. Continue reading “Owlcrusher – Owlcrusher (Review)”
