The Hyena Kill are a UK rock band and this is their second album.
With a promo blurb that mentions bands such as Deftones, Nirvana, and Chelsea Wolfe, I was intrigued by what The Hyena Kill’s sound would actually be. It turns out Continue reading “The Hyena Kill – A Disconnect (Review)”
This is the debut album from Nicarus, a solo Israeli artist.
I confess that it was the album art that drew me to this release, as I’m not normally a huge fan of the less-heavy genres such as anything with rock in the descriptor. I’m glad that I did check it out though, as Coal People, Coal Puppets is an Continue reading “Nicarus – Coal People, Coal Puppets (Review)”
This is the fourth album from Cloud Rat, a grindcore band from the US.
In my humble opinion Cloud Rat are one of the most forward-thinking, talented, and innovative grindcore bands out there, although simply labelling them grindcore is misleading and constricting, as their work frequently features so much more than your standard grindcore fare. Releases such as Qliphoth, and their various splits demonstrate this amply. Continue reading “Cloud Rat – Pollinator/Do Not Let Me Off the Cliff (Review)”
Louise Lemón is a Swedish death gospel artist and this is her debut album.
Mixing folk, soul, Gothic, electronic, pop, and ambient into slow, meaningful songs, Purge contains 31 minutes of exquisite material. Pretty much every second of it is tinged with darkness and melancholy, which has all contributed towards the creation of a superlative collection of tracks. Continue reading “Louise Lemón – Purge (Review)”
This is the sixth album from Chelsea Wolfe, an artist from the US.
Highly emotive and raw, this is an album of heaviness, both musically and emotionally. Continue reading “Chelsea Wolfe – Hiss Spun (Review)”
