This is the eighth album from Swedish blackened thrash metal band Witchery.
Witchery always tend to release an enjoyable record, (such as 2016’s In His Infernal Majesty’s Service and 2017’s I Am Legion), and their latest one continues this trend. Five years since their last album, Nightside, (which features members of bands such as The Haunted, and Lik), is a 36-minute concept album. Continue reading “Witchery – Nightside (Review)”
This is the fifth album from US avant-garde black/death metal band Imperial Triumphant.
After 2020’s Alphaville, any Imperial Triumphant release is going to be much-anticipated, and now we have it; 55 minutes of new material in the form of the warped, mutating Spirit of Ecstasy. Continue reading “Imperial Triumphant – Spirit of Ecstasy (Review)”
This is the second album from UK post-metal act The Ever Living.
The Ever Living combine alternative, electronic/industrial, and post-metal together into 43 minutes of material on Artificial Devices, resulting in a textured, immersive collection of tracks. Continue reading “The Ever Living – Artificial Devices (Review)”
Fellowship are a symphonic power metal band from the UK and this is their debut album.
I love a good power metal album, but I also find I’m constantly disappointed by it, as I’m not easily pleased with the style. Not so with The Saberlight Chronicles – this is a first rate slice of the good stuff. Fun, ridiculously positive and over the top, and packed with great tunes, Fellowship have massively impressed. Continue reading “Fellowship – The Saberlight Chronicles (Review)”
This is the third album from Ice Howl, a heavy metal band from the US.
I enjoyed 2020’s Cadence of the Cursed, so Darkness from Beyond is well-received. Now rounded out to a duo and featuring a couple of guests, this new album seems like more collaborative affair. It’s also a bit meatier, with ten tracks and 43 minutes of material to sink your teeth into. Continue reading “Ice Howl – Darkness from Beyond (Review)”
Northless are a sludge/doom band from the US and this is their fourth album.
I last caught up with Northless on their 2016 split with Primitive Man, so A Path Beyond Grief seemed an opportune time to check out the band once more. Continue reading “Northless – A Path Beyond Grief (Review)”
This is the third album from UK doom/sludge metallers Grave Lines.
Featuring the guitarist from Dead Witches/Sea Bastard, Grave Lines play an interesting and immersive form of doom. Weaving together doom metal and sludge into a tapestry that also includes Gothic, ambient drone, post-punk, and experimental elements, Communion contains 44 minutes of music that’s highly compelling. Continue reading “Grave Lines – Communion (Review)”
This is the second album from metallic hardcore band Outright.
Described in the promo blurb as a mix of Walls of Jericho and Slayer, this is as good an introduction as any to Outright’s sound, (I’d also throw in a bit of Capra too, as a more recent reference point). Continue reading “Outright – Keep You Warm (Review)”
Inhuman Condition are a death metal band from the US and this is their second album.
Featuring current and ex-members of bands such as Death, Deicide, Massacre, Obituary, Six Feet Under, Venom Inc., and Wombbath, you know a lot of experience and skill has gone into Fearsick. Across 36 minutes Inhuman Condition subject us to a competent collection of songs that are just plain fun. Continue reading “Inhuman Condition – Fearsick (Review)”
This is the second album from Battering Ram, a Swedish hard rock/metal band.
Battering Ram play a combination of old-school hard rock and classic heavy metal that is then wrapped up in a modern delivery. Second to None is 36-minutes of raw fun and polished talent. Continue reading “Battering Ram – Second to None (Review)”
Wonderbox Metal 