This is the debut album from UK stoner rock band Ghozer.
It’s been four year’s since Ghozer’s enjoyable debut EP, but now the band have returned with 49 minutes of new material. Continue reading “Ghozer – Black Lotus (Review)”
This is the debut album from UK stoner rock band Ghozer.
It’s been four year’s since Ghozer’s enjoyable debut EP, but now the band have returned with 49 minutes of new material. Continue reading “Ghozer – Black Lotus (Review)”
This is the debut album from Danish death/doom band Dead Void.
This is death metal that has fully embraced the dark side of sinister doom. The blending of the two by Dead Void has given us a collection of five songs that spend 46 minutes hammering the listener with hateful intentions and raw atmospheric darkness.
This is the debut album from French progressive metal band Ahasver.
Ahasver is made up of members of bands such as Eryn Non Dae, Drawers, and Gorod, among others. Causa Sui contains 42 minutes of music that’s a good deal more individual than most you might encounter. Continue reading “Ahasver – Causa Sui (Review)”
This is the debut album from US death metallers Sublation.
I loved Fisthammer’s 2014 album Infallible. An incredible blend of blackened and technical death metal, it’s an album I still visit surprisingly often. Why do I bring this up here? Because Sublation are the reincarnation of Fisthammer, who have returned with a new name, a stripped back lineup, and a refreshed vision for extreme metal. As such, I simply had to give The Path to Bedlam a decent airing. Continue reading “Sublation – The Path to Bedlam (Review)”
Deformatory are a Canadian death metal band and this is their latest EP.
Deformatory’s brand of brutality is one that I am well on board with, (make sure you check out In the Wake of Pestilence, Malediction, and Inversion of the Unseen Horizon). Harbinger delivers 16 minutes of the good stuff, ferociously demonstrating why Deformatory are an easy win for fans of brutal and technical death metal. Continue reading “Deformatory – Harbinger (Review)”
Abrams are a psychedelic rock band from the US and this is their fourth album.
Abrams’ sound is an interesting one. The band fuse a few different genres and styles – psychedelic, alternative, stoner, sludge, grunge, and post-metal – into music that drips with gorgeous singing and emotive guitars. Continue reading “Abrams – In the Dark (Review)”
Moynoq are a black metal band from the US and this is their second album.
Filled with pain and anguish, A Place for Ash spends 40 minutes subjecting the listener to a withering barrage of dark, passionate black metal. Continue reading “Mo’ynoq – A Place for Ash (Review)”
This is the second album from Mourir, a black metal band from France.
This is the follow up to 2020’s Animal Bouffe Animal, and delivers 38 minutes of utter blackened darkness. Mourir, (who contain members of Drawers and Plebeian Grandstand), specialise in modern black metal, with unhinged daemonic vocals and more oppressive, malignant atmosphere than a lot of people will be able to handle. Continue reading “Mourir – Disgrâce (Review)”
This is the debut album from US death metallers Autophagy.
Featuring an ex-member of Ritual Necromancy and Sempiternal Dusk, Bacteriophage contains 34 minutes of putrefying underground death metal. Continue reading “Autophagy – Bacteriophage (Review)”
Warforged are a death metal band from the US and this is their second album.
Warforged bring us a death metal hybrid that mixes technical, progressive, experimental, and atmospheric elements into a 46-minute ever-changing monster. Continue reading “Warforged – The Grove | Sundial (Review)”